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  • iEAR 40th Anniversary Celebration at EMPAC

      October 6, 2012, 5:30pm Curtis R. Priem Experimental Media and Performing Arts Center, Theatre Curtis Bahn Improvisation Curtis Bahn, rikEsitar, E-sraj and laptop Seth Cluett, shruti box, laptop, and electronics Michael Bullock, analog & digital video instruments

  • Render Visible at Present Company

                      A Loss of Place but a Fragment of Time, 2011, (2) Gray ink, magnetic tape, on 300lb, khadi cotton rag paper, 5 x 5 1/2 inches each Render Visible organized by Blonde Art Books in collaboration with Matthew Walker September 30 – October 28, 2012 RECEPTION:  Friday,…

  • new work at Parisonic 2012

                          After Environments in 2010, Hear & Now in 2011, Purepresence presents Parisonic Room, the third edition of Parisonic at La Gaîté Lyrique in Paris. From September 2012, 11th to 23rd , a series of sound projections in the Chambre Sonore (Sonic Room) gathers procedural, conceptual, sensible pieces which makes…

  • LES FANTÔMES DES ESPACES PUBLICS / GHOSTS OF PUBLIC SPACES

                        Steve Roden + Seth Cluett + Catherine Béchard & Sabin Hudon + Douglas Moffat Portes | Doors: 06/12/2012 – 8:00pm Tickets available for: 1 day 6 hours Salle | Venue: La Sala Rossa – 4848 St.Laurent, Mtl. QC Contact Info: Suoni Booking | 514-284-0122 (#222)…

  • 3/16 colloquium and 3/16-17 performance with Michael Bullock during Carnvoic @ Oberlin

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  • ed osborn – standing wave

    catalog essay for ed osborn – standing wave         “Standing Wave,” in Ed Osborn: Standing Wave, edited by Scott Sherk and Kathy Burke. Allentown: Martin Art Gallery, Muhlenberg College, 2012.

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  • 2/3-4 colloquium @ university of virginia / concert @ the bridge, charlottesville

    i will be presenting recent work in a colloquium in the composition program of the mcintire department of music at the university of virginia on feb 3 from 3:30-5pm, 107 old cabell hall. for more information visit the music department [ site ] on the 4th, i’ll present a solo performance at the bridge progressive…

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