Generated by All in One SEO v4.9.10, this is an llms.txt file, used by LLMs to index the site. # Seth Cluett ## Sitemaps - [XML Sitemap](https://sethcluett.com/sitemap.xml): Contains all public & indexable URLs for this website. ## Posts - [News](https://sethcluett.com/news/) - [new installation opens this summer at Governor's Island](https://sethcluett.com/2026/new-installation-opens-this-summer-at-governors-island/) - Outside Linear Time, an art and tech exhibition is the Spring 2026 exhibition programmed for the Harvestworks Art and Technology Program Building on Governors Island. Exhibition Details:Title: Outside Linear TimeExhibition Dates: May 16 – August 23, 2026Opening Reception: May 16, 2026Time: 11:00 AM – 5:00 PM (Saturdays and Sundays)Performance by Levi Lu on May 16th: 2pmLocation: Governors - [at Harvestworks with Joan LaBarbara](https://sethcluett.com/2025/at-harvestworks-with-joan-labarbara/) - From the Press Release: HARVESTWORKS INVITES YOU TO JOIN THE HARVESTWORKS SUSTAINING CIRCLE HONORING JOAN LA BARBARA AND SETH CLUETT. Our special guest, Joan La Barbara, is a New York–based composer and performer renowned for pioneering extended vocal techniques and shaping the field of contemporary experimental music. Also presenting will be Seth Cluett, an artist - [Interview with Georg Friedrich Haas for 11000 Saiten Artist Talk at Park Avenue Armory](https://sethcluett.com/2025/interviewing-georg-friedrich-haas-for-11000-saiten-artist-talk-at-park-avenue-armory/) - Georg Friedrich Haas in Conversation with Seth Cluett This interview took place on Friday, October 3, 2025 at 6:30pm About the work: The modern piano is a keyboard instrument with 88 black and white keys, producing 88 distinctive notes when played by a pianist. But what happens when a composer wants to expand that - [Performing at Light & Sound Design, Greenpoint](https://sethcluett.com/2025/performing-at-light-sound-design-greenpoint/) - The Telepaths, Seth Cluett, Good Stove, Maya Perry, DJ Stepdad 9.12.257pm - 11pm 'vienna', a new release on Small Forms Records w FIM Basel Concert March 2023 Hypersurface is a NYC-based trio consisting of Drew Wesely (guitar/objects), Lester St. Louis (cello), and Carlo Costa (percussion). Hypersurface explores timbral, durational, and formal aspects of improvisation with - [Interview for Scientific American Podcast](https://sethcluett.com/2025/interview-for-scientific-american-podcast/) - Listen to/Watch the Podcast! October 3, 2025 Go Inside a Room That Lets You Hear Your Nervous System Step into a room so quiet you can hear your own heartbeat—and your nervous system. By Rachel Feltman, Jeffery DelViscio, Kelso Harper, Fonda Mwangi & Naeem Amarsy - [Particle Matter by Itziar Barrio in collaboration with Seth Cluett at Harvestworks](https://sethcluett.com/2025/particle-matter-by-itziar-barrio-in-collaboration-with-seth-cluett/) - PARTICLE MATTER by Itziar Barrio in collaboration with Seth Cluett PARTICLE MATTER is a multi-channel video and sound installation by Itziar Barrio in collaboration with sound artist Seth Cluett DATE & TIME: September 20 to October 26, 2025. Open to the public: 11 am to 5 pm on Sat and Sun. Opening: Saturday September 20, 2025 - [solo performance at Pioneer Works July 13th for Abigail Levine's 'a soft afternoon'](https://sethcluett.com/2025/solo-performance-at-pioneer-works-july-13th-for-abigail-levines-a-soft-afternoon/) - from the Press Release: a soft afternoon Pioneer Works Second SundaysJuly 13, 20252-3pmFree with RSVP Location: Pioneer Works159 Pioneer StreetBrooklyn, NY 11231(718) 596-3001Performance will take place in the Pioneer Works Science Studios About Second Sundays:Since 2013, Pioneer Works has hosted Second Sundays, a free monthly open house. Highlighting our programs, artists-in-residence, and Red Hook community members, - [No Change or ‘freedom is a psycho-kinetic skill’ with dd dorvillier, human future dance corps at Holland Festival 6/17-18](https://sethcluett.com/2025/no-change-or-freedom-is-a-psycho-kinetic-skill-with-dd-dorvillier-human-future-dance-corps-at-holland-festival-6-17-18/) - More information and tickets: [ HERE } From the Press Release:In No Change or ‘freedom is a psycho-kinetic skill’ , DD Dorvillier (San Juan, Puerto Rico, 1967) interweaves bodies, objects and sounds in a playful act of resistance. The performance premiered in 2005, and now, twenty years later, will be presented once more at the - [Seth Cluett presents Laurie Spiegel at e-flux April 24](https://sethcluett.com/2025/seth-cluett-presents-laurie-spiegel/) - Doors at 7, event starts at 7:30 Admission $18 DateApril 24, 2025, 7pm e-flux172 Classon AveBrooklyn, NY 11205USA RSVP here: https://www.e-flux.com/events/662129/seth-cluett-plays-laurie-spiegel/ From the Press Release: Join us at e-flux on Thursday, April 24, at 7pm for a performance by Seth Cluett presenting six multi-channel spatial diffusions of Laurie Spiegel’s works Pentachrome, The Unquestioned Answer, Drums, Passage, East River Dawn, and A - [performance with generative AI birds at UCLA Art|Sci for Atmospheres of Sound](https://sethcluett.com/2025/performance-with-generative-ai-birds-at-ucla-artsci-for-atmospheres-of-sound/) - From the Press Release: Taking place in person on May 1-2, 2025, the symposium will be hosted across three iconic UCLA locations: the Fowler Museum, the California NanoSystems Institute (CNSI), and the Botanical Gardens. Held in conjunction with 20 years of the Art|Sci center and Center’s exhibition in Getty’s region-wide initiative, PST ART: Art & Science Collide, Atmosphere of Sound: Sonic Arts - [Seeing Sound opens at Pratt Manhattan Gallery 9/27](https://sethcluett.com/2024/seeing-sound-opens-at-pratt-manhattan-gallery-9-27/) - From the Press Release Pratt Manhattan GallerySeptember 27 – December 17, 202411:00 AM – 6:00 PM Seeing SoundSeptember 27 – December 17, 2024 Opening Reception: Thursday, September 26, 2024, 6-8pm Curated by Barbara LondonOrganized by Independent Curators International (ICI)Seth CluettJuan CortésIain Forsyth & Jane PollardAuriea Harveybani haykalYuko MohriMarina RosenfeldAura SatzSamson Young “Seeing Sound” is an expansive - [performing for Artifact at Sleepwalk 2/18](https://sethcluett.com/2025/performing-for-artifact-at-sleepwalk-2-18/) - Artifact - An Experimental Music Series Sleepwalk251 Bushwick AveBrooklyn, NY 7:30pm Doors / 8pm Show Seth CluettKa Baird + Shelley HirschBrian Wenner - [new work for MIDI organ 4/17](https://sethcluett.com/2025/new-work-for-midi-organ-4-17/) - April 17, 20236pmSt. Paul's ChapelColumbia University116th and Broadway Free New works for MIDI organ by Laura Cetilia, Seth Cluett, Julian Bennett Holmes, Josh Mastel, and Yike ZhangMore information: [ HERE ] - [Performing at Seeing Sound at Pratt Manhattan 10/17](https://sethcluett.com/2024/performing-at-seeing-sound-at-pratt-manhattan-10-17/) - October 17, 20246:30 PM – 8:00 PMPratt Manhattan Gallery From the Press Release Join us on Thursday, October 17 at 6:30pm for artist Seth Cluett’s solo performance, “small eddies of interlocking lives,” at Pratt Manhattan Gallery! Cluett’s piece explores forms of interaction drawn from ecological systems responding to climate change and extraction-capitalism. The performance takes - [Cities and Eyes opens at Fridman Gallery 2/28](https://sethcluett.com/2025/cities-and-eyes-opens-at-fridman-gallery-2-28/) - from the Press Release Cities and EyesFridman Gallery Bowery, New York, NY2/28-3/303/2 - Exhibition walkthrough from 10:30 AM to 12 PM for a guided walkthrough of Cities and Eyes, curated by Anouk Focquier. At 10:45 AM, experience Pardadiegesis, a new audiovisual sound performance by Seth Cluett. Cities and Eyes, curated by Anouk Focquier, features seven - [collaboration with Laurie Spiegel in Copenhagen 10/3-10/4](https://sethcluett.com/2024/collaboration-with-laurie-spiegel-in-copenhagen-10-3-10-4/) - Two performances at the Festival of Endless Gratitude in Copenhagen, Denmark on October 3rd and October 4th - in collaboration with Laurie Spiegel presenting one work of my own as well as our diffusion of A Harmonic Algorithm and five new diffusions of Laurie’s work. Every year, Festival of Endless Gratitude (FOEG) assembles a diverse - [New work with TAK Ensemble at Roulette 9/22](https://sethcluett.com/2024/new-work-with-tak-ensemble-at-roulette-9-22/) - Sunday, September 22, 2024, 8:00 pm $25 advance/$30 doors/$20 Student/Senior (w/ ID, Senior 65+) doors 7pm TAK Ensemble presents an evening highlighting the impossibly small sounds and glacially slow music of composer and visual artist Seth Cluett. The performance will feature the world premiere of irreversible histories of disturbance, a long-form composition employing handmade instruments and novel - [world premiere of 'no small matter' on 4/27 by Extradition in PDX](https://sethcluett.com/2024/world-premiere-of-no-small-matter-on-4-27-by-extradition-in-pdx/) - Saturday, April 27, 2024 7:30 PM 9:30 PM Leaven Community (map) Our spring concert draws its pieces from A Year of Deep Listening, a project of the Center for Deep Listening at Rensselaer. For twelve months beginning May 30, 2022, the center celebrated what would have been composer Pauline Oliveros’s 90th year by publishing a text score - [performing the interior of objects for the opening of the renovated Computer Music Lab at the CUNY Graduate Center 3/25](https://sethcluett.com/2024/performing-the-interior-of-objects-for-the-opening-of-the-renovated-computer-music-lab-at-the-cuny-graduate-center-3-25/) - Monday, March 25, 20246:00 pm1201: Elebash Recital Hall Open to the Public An electronic music concert organized by Itzá García and Tobias Fandel, candidates in the Ph.D. Composition Program - [new work: chronopoiesis for disklavier streaming premieres saturday presented by School of the Art Institute of Chicago at the Experimental Sound Studio](https://sethcluett.com/2024/new-work-chronopoiesis-for-disklavier-streaming-premieres-saturday-presented-by-school-of-the-art-institute-of-chicago-at-the-experimental-sound-studio/) - From the Press Release: March 23, 1:00 PM CDT/2:00 PM EDTESS YouTube "Piano, Alone in a Room" will be a live-streamed series of coded and realtime player piano activations. Artists from diverse backgrounds and disciplines will employ a wide array of compositional techniques, media, software, and technology, all in conversation with the show’s theme of - [the stratified character of nature on view now at the Samek Museum, Bucknell University](https://sethcluett.com/2024/the-stratified-character-of-nature-on-view-now-at-the-samek-museum-bucknell-university/) - From the museum press release: You’ve never heard art like this. Seeing Sound is an expansive exhibition that explores the current trajectory of sound as a dynamic branch of contemporary art practice. These artworks take shape as kinetic sculpture, audio-video installation, and visitor-responsive technologies that challenge conventions of what art can be. **Dial Tone Drone, 2014. Sound - [Seeing Sound Exhibition opens October 27th at Cantor Fitzgerald Gallery, Haverford College](https://sethcluett.com/2023/seeing-sound-exhibition-opens-october-26th-at-cantor-fitzgerald-gallery-haverford-college/) - From the Independent Curators International Press Release: Cantor Fitzgerald Gallery, Haverford CollegeOct 27, 2023 – Dec 16, 2023opening reception time and opening hours tbd Seeing Sound is an expansive exhibition that explores the current trajectory of sound as a dynamic branch of contemporary art practice, curated by Barbara London. The exhibition features nine artists based around - [Solo Set in Boston at Non-Event on September 21](https://sethcluett.com/2023/solo-set-in-boston-at-non-event-on-september-21/) - From the Non-Event Press Release ANNE-F JACQUES/GUDINNI CORTINA/GABRIEL DROLET TRIOSETH CLUETTVIC RAWLINGS/GREG KELLEY DUOTHURSDAY, SEPTEMBER 21, 2023 AT 8:30PM First Church of Jamaica Plain (Parish Hall)6 Eliot Street, Jamaica PlainDoors: 8pm Performance begins promptly at 8:30pmAdmission: $15 / $10 for members and students (No one turned away for lack of funds)Advanced tickets available Non-Event is - [Blackbox Ensemble performs Interference is Partial at Clark Art Institute September 30](https://sethcluett.com/2023/blackbox-ensemble-performs-interference-is-partial-at-clark-art-institute-september-30/) - - Saturday, September 30, 2023- 4:00 PM 5:15 PM- Clark Art Institute (map)- FREE The Sound of Space Between Us is a site-specific, Live-Art-infused, interdisciplinary performance experience connecting sound and movement through and within physical space. Conceived and co-curated by our flutist - composer, dancer, choreographer and Annie Nikunen - space is used as a meeting place - [performing with Claudia Schmitz and Nicola Hein (UnStumm) at Harvestworks on Governors Island](https://sethcluett.com/2023/performing-with-claudio-schmitz-and-nicola-hein-unstumm-at-harvestworks-on-governors-island/) - From the Harvestworks press release: UnStumm - Conversation of Moving Image and Sound Featuring Seth Cluett | Harvestworks Art and Technology Program Building 10a Nolan Park Governors IslandTODAY - September 9th - 3:30pmFREEFrom South Ferry, the closest ferries to the event time leave at 2:30 and 3:15 UnStumm (unstumm.com/) - created and curated by Nicola L. Hein - [Laurie Spiegel + Seth Cluett: A Harmonic Algorithm 2020](https://sethcluett.com/2023/laurie-spiegel-seth-cluett-a-harmonic-algorithm-2020/) - Reserve a Ticket - Fri 13 Oct, 2023, 8pm & 9pm - Sat 14 Oct, 2023, 8pm & 9pm - 22 Boerum Place, Brooklyn 11201 At 8pm and 9pm on both Friday, October 13th & Saturday, October 14th ISSUE celebrates its 20th Anniversary with a restaging of the installation of electronic music pioneer Laurie Spiegel’s piece A Harmonic Algorithm 2020, - [Archival documentation of performance with Pauline Oliveros and new work for CT::SWaM during Fridman 10th Anniversary exhibition Interior Resonances](https://sethcluett.com/2023/archival-documentation-of-performance-with-pauline-oliveros-and-new-work-for-ctswam-during-fridman-10th-anniversary-exhibition-interior-resonances/) - July 13 – August 25, 2023Monday – Friday, 11am – 6pmOpening Reception: Thursday, July 13, 6-8pmSeth Cluett, new work presented August 20th at 4pm, 6pm, and 8pmGet your [TICKETS] From the Press release: It has been 10 years since the first show at Fridman Gallery. From the beginning, the gallery aimed to show emerging artists - [New work with Paula Matthusen for American Composers Orchestra Sonic Festival at Joe's Pub](https://sethcluett.com/2023/new-work-with-paula-matthusen-for-american-composers-orchestra-sonic-festival-at-joes-pub/) - ACO teams up with the Public Theater for a night of SONiC explorations curated by two of ACO’s recently commissioned composers Paula Matthusen and inti figgis-vizueta. Two events on the same evening: Wednesday, June 7, 2023 at 7pm, and 9:30pm. The 9:30pm event is curated by Paula Matthusen. Joe's Pub 425 Lafayette Street (at Astor Place) New - [Performing Particle Matter with Itziar Barrio at Smack Mellon](https://sethcluett.com/2023/performing-particle-matter-with-itziar-barrio-at-smack-mellon/) - Sat, April 15 at 7pm, at Smack Mellon, join exhibiting artist Itziar Barrio in collaboration with Seth Cluett for a performance of Particle Matter. FREE info here: https://www.smackmellon.org/program/particle-matter/ Particle Matter is an audiovisual work created in collaboration with composer and sound designer Seth Cluett that Smack Mellon will present as a live performance activation in conjunction with - [presenting paper at MLA2023 in San Francisco](https://sethcluett.com/2023/presenting-paper-at-mla2023-in-san-francisco/) - MLA2023 Convention Moscone Center, San FranciscoFriday January 6, 2023 For more info [[HERE]]10:15AM Panel: Reading Air, moderated by Sarah Cole Seth Cluett: Atmosphere and Action: Labor, Leisure, and a Change of Air Louise Hornby: Outside Air: Cloud Forms in the Work of Ali Smith and Tacita Dean Zoë Leonard: Tenement Air; or, Ann Petry’s Art - [Solo Set for Shift at 411kent in Brooklyn on Feb 1st at 8pm](https://sethcluett.com/2023/solo-set-for-shift-at-411kent-in-brooklyn-on-feb-1st-at-8pm/) - From the website: Shift Shift is a platform for experimental sound and musical performance. 411 Kent Ave., Brooklyn NY 11249All shows @8pm, Doors 7:30 (unless otherwise noted)$15 (all proceeds go to musicians)Join our mailing list for show announcements Link to venue website: [[HERE]]UPCOMING SHOWS: ​Shift 50, Wed, Feb 1Ian Douglas-Moore, Eric Wong, Dominic ColesSeth Cluett - [Performing and Leading Workshop as Part of Espacios Resonantes Festival, Santiago, Chile Nov 13th to 20th](https://sethcluett.com/2022/performing-and-leading-workshop-as-part-of-espacios-resonantes-festival-santiago-chile-nov-13th-to-20th/) - “Espacios Resonantes” is a project that invites us to explore and transform built environments based on sound experimentation, to understand the interaction between architecture and listening. The spaces used are abandoned industrial architectures, with long reverberations, where sound stops in time and space emerges. From November 14 to 26, 2022, "Resonant Spaces: Architecture and Listening Festival" - [Two Pieces Published in Walking from Scores, edited by Elena Biserna for Les Presses des Réel](https://sethcluett.com/2022/two-pieces-published-in-walking-from-scores-edited-by-elena-biserna-for-les-presses-des-reel/) - Walking from Scores An anthology of text and graphic scores to be used while walking, from Fluxus to the critical works of current artists, through the tradition of experimental music and performance, gathered and presented by Elena Biserna. Walking from Scores is a hundred or so collection of non site-specific protocols, instructions and textual and graphic - [Camille Norment: Plexus Book Launch | A Conversation with Camille Norment, Seth Cluett, and James Hoff at NYABF](https://sethcluett.com/2022/camille-norment-plexus-book-launch-a-conversation-with-camille-norment-seth-cluett-and-james-hoff-at-nyabf/) - Throughout her career, Camille Norment has investigated what she terms cultural psychoacoustics: the relationships and contingencies between sound, culture, and perception. Building on her commission for Dia Chelsea, Plexus (2022), this artist’s book seeks formally and conceptually to imbue a sonic sensibility and extend understandings of the artist’s practice. On the occasion of the publication’s launch, Norment will - [Curating Supporting Material with James Hoff for Camille Norment: Plexus at Dia Chelsea](https://sethcluett.com/2022/curating-supporting-material-for-camille-norment-plexus-at-dia-chelsea/) - Throughout the run of Camille Norment: Plexus, Dia Chelsea’s talk space will host an iterative presentation of literature and sound, creating a constellation of contexts to accompany the exhibition and its live programs. The space features a rotating and expanding guest-curated library of books and vinyl records for visitors to select and listen to on turntables. - [Performing on Intonarumori at the Performa Biennial](https://sethcluett.com/2021/performing-on-intonarumori-at-the-performa-biennial/) - As part of the 2021 Performa Arts Festival NYC, on Oct 15 2021 I will perform with JG Thirlwell, Alan Licht, Keith Fullerton Whitman, MV Carbon, and Laura Ortman in an ensemble performance on reconstructions of Luigi Russolo's Intonarumori instruments, directed by Luciano Chessa. The performance will be broadcast from a former department store at Rockefeller Center directed by Victoria Keddie. The performance will be broadcast here on Oct - [new work in Ephermospheres on Governor's Island presented by Harvestworks](https://sethcluett.com/2021/new-work-for-wavefield-synthesis-in-ephermospheres-on-governors-island-presented-by-harvestworks/) - Harvestworks on Governor's Island Opening August 28th and running through October 31st 2021, Ephemerospheres is an installation of electroacoustic audio works for wave field synthesis speaker array. The system’s creator, Mike Bullock, is a composer and intermedia artist whose work centers on listening to the unique qualities of particular spaces, both while recording natural environments and - [Eccentricity in Walking from Scores opening July 9 at CIVA Brussels](https://sethcluett.com/2021/eccentricity-in-walking-from-scores-opening-july-9-at-civa-brussels/) - A collection of text and graphic scores to be used while walking ‘Walking from Scores’ is a collection of hundred verbal and graphic scores by artists, collectives, and composers on walking, listening and sound production in urban space. The project explores the relationship between the aesthetic sphere and the everyday, the dynamics of sound and - [new video work showing at Distopya Sound Art Festival Istanbul](https://sethcluett.com/2021/new-video-work-showing-at-distopya-sound-art-festival-istanbul/) - On View from March-June 2021 – Akbank Sanat GalleryVisiting Hours: Please check with the Akbank Sanat Gallery Website Today, in our world that has fallen into a deep silence, we all experience together, under the shadow of the pandemic, how dystopia feels. Are we really already in a dystopia? After all, won’t it only be when - [Out Now: 0 / 1](https://sethcluett.com/2021/out-now-0-1/) - Out Now - V/A — 0/1A concept-album https://soundsagainsthumanity.bandcamp.com/album/0-1 compilation composed by: Shedir, Philip Sulidae, Monte Burrows, France Jobin, Emile Bojesen, Seth Cluett, Attilio Novellino, Stefano Tashi, anthéne, Luigi Turra. Directed and curated by Edoardo Cammisa. Artwork and artistic concept by Camilla Pisani.Supervised by Angelo Guido. Mastered by Marie Rose at FixInTheMix Labs.Released by Sounds Against - [new work for Ertwhile Amplify 2020: Quarantine Festival](https://sethcluett.com/2020/new-for-ertwhile-amplify-2020-quarantine-festival/) - acts within time (2020) listen here: https://amplify2020.bandcamp.com/album/acts-within-time All sounds recorded at home during quarantine or taken from mobile phone voice memo recordings captured before quarantine. Instrumental recordings performed by TAK Ensemble during an impromptu reading in the anechoic chamber at Nokia Bell Labs in Murray Hill, NJ in December 2019: Laura Cocks (flutes), Madison Greenstone - [Performing with And / In (Heather Frasch & Koen Nutters at Fridman Gallery 3/10 at 7pm](https://sethcluett.com/2020/performing-with-and-in-heather-frasch-koen-nutters-at-fridman-gallery-3-10-at-7pm/) - Berlin-based And / In (Heather Frasch and Koen Nutters) will perform as a duo and will be joined by Seth Cluett in a trio drawing on their sound-making experiments in the Anechoic Chamber at Nokia Bell Labs. More info: [ HERE ] - [Presenting New Ambisonic Spatial Audio Experiments at the New York Electronic Arts Festival with Harvestworks](https://sethcluett.com/2019/presenting-new-ambisonic-spatial-audio-experiments-at-the-new-york-electronic-arts-festival-with-harvestworks/) - Seth Cluett will present a suite of compositions for ambisonic surround speaker cube. Saturday June 29 between 3 – 5 pm Governors Island, Nolan Park, Building 10A Composer and Artist Seth Cluett will present a suite of compositions created in the reflection-less, dead-quiet historic anechoic at Bell Labs alternating with immersive 360-degree field recordings captured - [World and Place Evaporating presented at Toronto New Wave Festival 2019](https://sethcluett.com/2019/world-and-place-evaporating-presented-at-toronto-new-wave-festival-2019/) - A NEW WAVE OF TORONTO'S MEDIA & MUSIC SCENE Curated by active filmmakers and artists, Toronto New Wave (TNW) represents the work of budding creatives of the highest caliber both locally and internationally. Our mission is to celebrate the experimental, undiscovered talent of the new generation of artists that are taking creative risks. As a - [Performing with Composers Inside Electronics for the Petronio Company at Akademie der Künste, Berlin](https://sethcluett.com/2019/performing-with-composers-inside-electronics-for-the-petronio-company-at-akademie-der-kunste-berlin/) - What the Body Remembers. Dance Heritage Today Stephen Petronio Company – Bloodlines: Merce Cunningham, Steve Paxton, Rudy Perez, Yvonne Rainer In the Bloodlines series Stephen Petronio pays tribute to postmodern American choreographers, who inspired him during his career as a dance professional. To preserve these traditions, since 2015 the Stephen Petronio Company has also been - [performance at Columbia Global Center Reid Hall, Paris](https://sethcluett.com/2019/performance-at-columbia-global-center-reid-hall-paris/) - The Nature of Sound Mini Festival The Nature of Sound is a series exploring the diverse sound worlds of contemporary music. The three concerts present American composer-performers renowned for their inventive and virtuosic artistic practices in electronic and acoustic composition, sound art, and improvisation. 14th October, 8pm, Seth Cluett, ‘forms of forgetting’ ‘forms of forgetting’ - [workshop and performance at Lausanne Underground Film Festival](https://sethcluett.com/2019/workshop-and-performance-at-lausanne-underground-film-festival/) - A workshop by Seth Cluett 17 Nov 201912h30 - 16h30EJMA In this workshop, Cluett and participants will work with field recordings of objects and environments as the starting point for exploring foley as a performance tool. By close-listening and analysis of field recordings (Cluett has collaborated for 20 years with Pauline Oliveros), he will invite - [new performance work at 601 Artspace](https://sethcluett.com/2019/cluett-katchadourian/) - Please join us for a special event in conjunction with our current exhibition, Every day is another day:nothing to see/hear Friday Nov. 8th, 6:30pm601Artspace, 88 Eldridge Street, NYCComposer and visual artist Seth Cluett will perform nothing to see/hear, a sound work using everyday objects, field recordings, and home-made foley instruments. Measured performance gestures will create live foley sounds that blend and obscure - [performing and speaking at Metrónom, Barcelona](https://sethcluett.com/2019/performing-and-speaking-at-metronom-barcelona/) - Metrònom. Fundació Rafael Tous d’Art Contemporani C/ Fusina 9, Barcelona Saturday 16 November 2019, 12:30 am Metrònom was a significant space for the production and exhibition of intermedia art. This event presents a lecture and a performance by Seth Cluett to introduce the video/sound archive project recently initiated by AMEE. The archive includes a part - [OUT NOW: work on formanex compilation album on mikroton](https://sethcluett.com/2020/out-now-work-included-on-formanex-compilation-album-on-mikroton/) - FORMANEX WITH AMM, CHRISTIAN WOLFF, KEITH ROWE, RALF WEHOWSKY, JOHN TILBURY, PHILL NIBLOCK, ONSEMBLE, SETH CLUETT, RADU MALFATTI, MICHAEL PISARO, JULIEN OTTAVI, KASPER T. TOEPLITZ 20 Years Of Experimental Music Nantes trio Formanex celebrates 20 years of activism in experimental music with a 10 CD edition full of amazing collaborations with ONsemble (contemporary music group - [live spatial audio set for Dodecagonal: Cluett/Schumacher/Yip and Hein, NYU Feldman Immersion Room, January 8, 2020, 5pm](https://sethcluett.com/2020/live-spatial-audio-set-for-dodecagonal-cluett-schumacher-yip-and-hein-nyu-feldman-immersion-room-january-8-2020-5pm/) - A late afternoon concert of 12-channel electronic works and performances by Seth Cluett, Michael Schumacher, Viola Yip and Nicola L. Hein presented at NYU Bobst Library's unique Feldstein Immersion Room.Concert is free but seats are limited. Please RSVP at https://forms.gle/ghQPmz2W7BxMqs558Date: Jan 8, 2020Time: 5pmlocation: Feldstein Immersion Room, 7th Floor, Avery Fisher Center, Bobst Library, NYU - [new work will tour in Seeing Sound curated by Barbara London](https://sethcluett.com/2020/new-work-will-tour-in-seeing-sound-curated-by-barbara-london/) - Curated by Barbara London For updates on venues see: https://curatorsintl.org/exhibitions/seeing-sound Sound is a sensorial and pliant material, an intangible part of daily life. For the artists in Seeing Sound, it is the chosen medium for experimentation when art is in a perpetual state of flux. Featuring the work of Seth Cluett, Juan Cortés, Iain Forsyth and Jane - [Laurie Spiegel’s A Harmonic Algorithm Presented by Seth Cluett + Conversation with Tara Rodgers](https://sethcluett.com/2020/laurie-spiegels-a-harmonic-algorithm-presented-by-seth-cluett-conversation-with-tara-rodgers/) - STREAM [ HERE ]Thursday, September 10th at 8pm, ISSUE streams a 360 degree video presentation of electronic music pioneer Laurie Spiegel’s piece A Harmonic Algorithm 2011 coordinated in collaboration with composer and artist Seth Cluett. A work first created through a computer algorithm coded by Spiegel, the piece is spatialized at ISSUE’s 22 Boerum theater by Cluett, Artist-in-Residence at NOKIA Bell - [Speaking at Cycling '74 Expo](https://sethcluett.com/2019/speaking-at-cycling-74-expo/) - Dates April 26-28, 2019 Location MASS MoCA1040 MASS MoCA WayNorth Adams, MA 01247 - [International Contemporary Ensemble performs A State of Mutual Tension at Constellation on the Chicago Frequency Festival](https://sethcluett.com/2019/international-contemporary-ensemble-performs-a-state-of-mutual-tension-at-constellation-on-the-chicago-frequency-festival/) - Music for Invisible Places at Constellation Chicago Frequency Festival Saturday, February 23, 2019 8:30 PM Constellation Chicago3111 N. Western AvenueChicago, IL 60618 The International Contemporary Ensemble returns to Frequency Festival with a program featuring the works of Annea Lockwood, Seth Cluett, and Wojtek Blecharz. Each work features the construction, deconstruction, and augmentation of woodwind instruments. - [Levy Lorenzo presents The Interior of Objects for transduced snare drum with Nokia Bell Labs at Inspirefest in Dublin](https://sethcluett.com/2019/levy-lorenzo-presents-the-interior-of-objects-for-transduced-snare-drum-with-nokia-bell-labs-at-inspirefest-in-dublin/) - Created by Silicon Republic, Inspirefest is a two-day festival exploring the future of science, technology and creativity, attended by more than 3,000 people from over 40 countries, and acclaimed as the “Best Event for Bright Minds in Europe”. We celebrate human brilliance. So, everything we do has to be human-centred. The experiences we craft are magical - - [Performing Christian Wolff's For 1, 2, or 3 People on Cunningham's Tread for the Petronio Company at American Dance Festival](https://sethcluett.com/2019/performing-christian-wolffs-for-1-2-or-3-people-on-cunninghams-tread-for-the-petronio-company-at-american-dance-festival/) - Stephen Petronio Company will be performing at the American Dance Festival on a shared bill titled ICONS: Three Timeless Works By Three Master Artists. Three giants of American modern dance, Martha Graham, Merce Cunningham, and Paul Taylor, will share a program of works, two of which originally premiered at ADF. Graham 2 will perform Martha - [Joining Composers Inside Electronics for Cunningham's Tread with the Petronio Company](https://sethcluett.com/2019/joining-composers-inside-electronics-for-cunninghams-tread-with-the-petronio-company/) - “There’s a visceral thrill to Stephen Petronio’s choreography that is unlike anything offered by other contemporary choreographers.” — The New York Times Stephen Petronio Company presents its most ambitious season of Bloodlines, a five-year autobiographical project that honors the lineage of American postmodern dance, but also traces the influences and impulses that have shaped choreographer Stephen - [Sounding Circuits: Audible Histories up now at the Library for the Performing Arts at Lincoln Center](https://sethcluett.com/2019/sounding-circuits-audible-histories-up-now-at-the-library-for-the-performing-arts-at-lincoln-center/) - In the new free exhibition Sounding Circuits: Audible Histories, The New York Public Library for the Performing Arts will bring to life the network of innovative composers and technologists who helped create an entirely new way to think about and create music. Curated by artist and composer Seth Cluett, current artist-in-residence at Nokia Bell Labs - [International Contemporary Ensemble premieres new woodwind quartet at the Rubin Institute for Music Criticism](https://sethcluett.com/2018/international-contemporary-ensemble-premieres-new-woodwind-quartet-at-the-rubin-institute-for-music-criticism/) - Situated within the artistic and intellectual vibrancy of the San Francisco Conservatory of Music, the Stephen and Cynthia Rubin Institute for Music Criticism brings together leading music journalists, renowned musicians, and aspiring young writers, combining the wisdom and insight of today's highly esteemed critics, the artistry and daring of acclaimed musicians, and the energy and promise of - [Portrait Concert 'Collecting Seth Cluett' during OpenICE festival at the New York Public Library for the Performing Arts](https://sethcluett.com/2018/portrait-concert-collecting-seth-cluett-during-openice-festival-at-the-new-york-public-library-for-the-performing-arts/) - Thursday, November 8, 2018, 7 p.m. Program Locations: New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center, Shelby Cullom Davis Museum, Vincent Astor Gallery Fully accessible to wheelchairs Free - Online Reservation Required Eventbrite ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two - [New piece for exhibition of Hanne Darboven’s work at Princeton University Art Museum 4/27 at 6pm](https://sethcluett.com/2018/new-piece-for-exhibition-of-hanne-darbovens-work-at-princeton-university-art-museum-4-27-at-6pm/) - The work of Hanne Darboven (1941–2009), an important figure in the history of conceptual art, is the subject of a multipart exhibition that will open at Princeton University on April 27, 2018, with installations in the Princeton University Art Museum, Marquand Library of Art and Archaeology, the Department of Art & Archaeology, and the - [new 8-channel remix of Doleros (Audio Tourism at Ringing Rocks) at Hong Kong Arts Centre](https://sethcluett.com/2018/new-8-channel-remix-of-doleros-audio-tourism-at-ringing-rocks-at-hong-kong-arts-centre/) - About Sound Forms Co-presented by the Hong Kong Arts Centre, Contemporary Musiking’s (CMHK) Sound Forms is the first Hong Kong festival that focuses exclusively on the multichannel format. During 6 – 12 April, Sound Forms will take residence at the Hong Kong Arts Centre McAulay Studio to present multi-channel electroacoustic pieces and sound installations that - [Hong Kong Sinfonietta and Ensemble Offspring premiere Interference is Partial](https://sethcluett.com/2018/hong-kong-sinfonietta-and-ensemble-offspring-premiere-interference-is-partial/) - Ensemble Offspring Lamorna Nightingale (flute) Jason Noble (clarinet) Claire Edwardes (artistic direction/percussion) Hong Kong Sinfonietta musicians James Cuddeford (violin) Chang Pei-chieh, Laurent Perrin (cello) Masami Nagai (double bass) Huang Shan (trumpet) Christopher Rodgers (trombone) Chau Chin-tung, Rieko Koyama (percussion) Programme Erik Griswold Action Music II (2017) (world première) Seth Cluett interference is partial (world première) - [Nicholas O'Brien's The Trolley featuring my original score at LIMA in Amsterdam 1/17-2/28](https://sethcluett.com/2018/nicholas-obriens-the-trolley-with-my-score-will-show-at-lima-in-amsterdam-1-17-2-28/) - Cultural Matter: Nicholas O’Brien (Pt.I) The third solo exhibition in the context of Cultural Matter is the work The Trolley (2017) by artist Nicholas O’Brien. The Trolley is, in the artist’s own words, an essay game artwork. It revolves around the progressive disappearance of a mode of public transport in the urban landscape. - [speaking with Daniel Neumann, moderated by Regine Basha - Fridman Gallery 1/10 at 6pm](https://sethcluett.com/2018/speaking-with-daniel-neumann-moderated-by-regine-basha-fridman-gallery-1-10-at-6pm/) - Daniel Neumann CHANNELS January 3-24, 2018 Artist in conversation with Regine Basha and Seth Cluett: Wednesday, January 10, 6pm. Gallery hours have shifted! → Wednesday-Sunday, 6-9 pm Fridman Gallery presents CHANNELS, Daniel Neumann’s second exhibition with the gallery. Neumann arranges two types of audio technology artifacts – a giant 56-channel mixing board suspended vertically in - [new drawing collaboration with Samson Young opening at CAAC 456 Gallery, NYC 12/15](https://sethcluett.com/2017/new-drawing-collaboration-with-samson-young-opening-at-caac-456-gallery-nyc-12-15/) - Infinite Narratives An exhibition by the Tomato Grey artist collective With 6 artistic collaborators Details of the event Opening reception: December 15th, 2017, 6:00 - 8:00 pm Exhibition date: December 15th, 2017 – January 5th, 2018 Chinese American Arts Council/Gallery 456, 456 Broadway, New York, New York 10013 www.caacarts.org Tel: 212.431.9740 - [performing with Paula Matthusen at Experimental Intermedia 9pm 12/13](https://sethcluett.com/2017/performing-with-paula-matthusen-at-experimental-intermedia-9pm-12-13/) - For their first performance together, Paula Matthusen and Seth Cluett will fill a table with transduced tubes, 3D printed shapes, amplified objects, and cassette recorders; feedback will be used to explore spaces large and small while software and hardware instruments capture sound as a material to be sculpted in time; both are composers, artists, and - [work up now at CONTEXT Art Miami - 12/3-10](https://sethcluett.com/2017/work-up-now-at-context-art-miami-12-3-10/) - From the press release: The program of CONTEXT Sound Positions started in Miami in 2014, and since then has been a strong platform for the presentation of Sound Art in our fair editions in Miami and New York. Sound Positions creates immersive and intimate situations for listening to work by an international selection of emerging - [installation on view for Test Patterns at The Current Museum of Art in NYC 11/4-12/15](https://sethcluett.com/2016/installation-on-view-for-test-patterns-at-the-current-museum-of-art-in-nyc-114-1215/) - The Current Museum of Art calibrates its vision alongside works by Kawandeep Virdee, Daniel Temkin, Claudia Hart, Matthew Biederman, Carmen Aguilar y Wedge, Nitzan Bartov, Ashley Baccus-Clark, Ece Tankal, Sam Lavigne, Seth Cluett, Charles Eppley, and Casey Reas that interrogate how signals configure images, how concepts resolve into focus, and what patterns we can - [inward-turning histories software/score release party w/ Avant.org at The Current Museum in NYC - 11/10 at 8pm](https://sethcluett.com/2016/inward-turning-histories-softwarescore-release-party-w-avant-org-at-the-current-museum-in-nyc-1110-at-8pm/) - From Avant.org: Avant.org presents Seth Cluett: Inward-Turning Histories at The Current Museum on Nov. 10, 2016. Cluett will realize a composition directed around psychoacoustic methods to create individualized listening spaces for audience members using field-recordings and masking/occlusion. The work considers social politics using psychoacoustics as a cypher: what people hear is different and individualized from seat to - [performing and speaking at the NYPL memorial for Pauline Oliveros with International Contemporary Ensemble 12/22 at 7pm](https://sethcluett.com/2016/performing-and-speaking-at-the-nypl-memorial-for-pauline-oliveros-with-international-contemporary-ensemble-1222-at-7pm/) - December 22, 2016 | 7:00pm The New York Public Library for the Performing Arts, The Bruno Walter Auditorium 111 Amsterdam Avenue New York, NY 10023 FREE with reservation Composer Pauline Oliveros touched countless artists during her life as a tireless advocate for making and listening to new sounds. On December 22nd, The New York Public Library - [Duo with Michael Bullock for Work 17 at the Sump in Ridgewood on 1/4 at 8pm](https://sethcluett.com/2016/duo-with-michael-bullock-for-work-17-at-the-sump-in-ridgewood-on-14-at-8pm/) - WORK 17 Doors 8:00pm, show 8:30pm $8:00 or donation, entrance by stairs at Houdini's, on Decatur St. A rare performance back in NYC of Early Web - the duo of Anastasia Clarke and Chris Penalosa. Anastasia is an Oakland/NYC based composer and performer, using tabletop electronics and software and hardware instruments of her own design. - [Solo performance at CCRMA at Stanford, January 12, 2017 at 8pm](https://sethcluett.com/2016/solo-performance-at-ccrma-at-stanford-january-12-2017-at-8pm/) - Thu, 01/12/2017 - 7:30pm - 9:00pm CCRMA Stage FREE - Open to the Public Artist Seth Cluett will present a live performance using sung and electronically generated sine tones, room acoustic phenomena, and recorded sound to explore the boundary between personal and communal listening. Constructing a focused, attentive perceptual space and an elastic, malleable experience - [Solo performance at Canessa Gallery in San Francisco, January 11, 2017 at 8pm](https://sethcluett.com/2016/solo-performance-for-the-canessa-series-at-meridian-gallery-in-san-francisco-january-11-2017-at-8pm/) - January 11, 2017 Canessa Gallery 708 Montgomery St San Francisco California 94111 See the Facebook event here: http://bit.ly/2iJwrVn From the press release: For our first show of 2017 we are excited to present Seth Cluett from NYC with Eric Glick Rieman and Jim Haynes. Seth Cluett Seth Cluett will perform live - [Tribute to Pauline Oliveros at Fridman Gallery for New Ears Festival, January 8, 2017 4pm-9pm](https://sethcluett.com/2016/tribute-to-pauline-oliveros-at-fridman-gallery-for-new-ears-festival-january-8-2017-4pm-9pm/) - [Remembering Pauline Oliveros at the Park Avenue Armory, Feb 6 from 4-10pm](https://sethcluett.com/2017/remembering-pauline-oliveros-at-the-park-avenue-armory/) - Phil Edelstein (Composers Inside Electronics) and I are leading the Apple Box Orchestra to cap off the concert at the end of the night. From the Armory Website The Armory and the International Contemporary Ensemble (ICE) host an open commemoration of the life and work of Pauline Oliveros at the Park Avenue Armory ICE and - [New hybrid VR work with Chris Manzione at Moving Image Art Fair NYC - Feb 27-March 2](https://sethcluett.com/2017/new-hybrid-vr-work-with-chris-manzione-at-moving-image-art-fair-nyc-feb-27-march-2/) - Moving Image New York 2017 will take place February 27 – March 2, 2017. Located in the Waterfront Tunnel event space between 27th and 28th Streets with an entrance on 11th Avenue in Chelsea. Moving Image will be free to the public and open Monday – Wednesday, February 27 – March 1-5, 11–8 PM and - [Solo performance in Vienna at Alte Schmiede Kunstverein 3/17 at 7pm](https://sethcluett.com/2017/solo-performance-at-alte-schmiede-kunstverein-317-at-7pm/) - Click [ HERE ] for more info. SETH CLUETT, TOBIAS LEIBETSEDER & ASTRID SCHWARZ SETH CLUETT (Elektronik und verstärkte Objekte): Resonant Spaces • TOBIAS LEIBETSEDER & ASTRID SCHWARZ (Klangerzeuger, Live-Elektronik): Tobias Leibetseder Fugen Licht Gebirge, Leibetseder & Schwarz Steel Girls, Astrid Schwarz Ice book No.1 Der amerikanische Klangkünstler und Komponist Seth Cluett ist als Künstler - [two pieces on view at Creative Tech Week Arts Hub - Stronger Together Exhibition](https://sethcluett.com/2017/two-pieces-on-view-at-creative-tech-week-arts-hub-stronger-together-exhibition/) - Friday, May 12 – Saturday, May 13, 2017 Exhibition Preview: Friday, May 12, 5:00 – 11:00pm (Ticketed) Exhibition Hours: Saturday, May 13, 12:00 – 7:00pm (Free) Stronger Together is an exhibition featuring software - [new work premiered by Christin Schillinger for solo bassoon and 3d printed loudspeaker extension at New Music Gathering 2017](https://sethcluett.com/2017/new-work-for-solo-bassoon-and-3d-printed-loudspeaker-extension-at-new-music-gathering-2017/) - New Music Gathering is an annual three-day conference dedicated to the performance, production, promotion, support and creation of new concert music. Taking place on May 11-13, 2017 at Bowling Green State University, the focus of New Music Gathering 2017 will be on "Support." The conference appropriately features percussionist, conductor, and author Steven Schick as our keynote speaker—who, - [new site specific performance at MAC/VAL - Musée d'Art Contemporain du Val-de-Marne on July 2 at 17:30](https://sethcluett.com/2017/new-site-specific-performance-at-macval-musee-dart-contemporain-du-val-de-marne-on-july-2-at-1730/) - From the website: Concert, lectures, rencontres À partir de 16h, Nef. Pour ces « Interludes critiques », Jean-Christophe Norman invite trois auteurs et un musicien à poser leur regard critique ou poétique sur son œuvre murale Terre à terre, et plus généralement sur son univers et ses influences. Avec Marjorie Micucci, J. Emil Sennewald, Frank - [new work for So Percussion premieres for the opening of the Princeton University Lewis Center for the Arts](https://sethcluett.com/2017/new-work-for-so-percussion-premieres-for-the-opening-of-the-princeton-university-lewis-center-for-the-arts/) - Art Walk Music and Sculpture Tour with Sō Percussion October 6 at 4:00 p.m., October 7 at 11:00 a.m. & 2:00 p.m. Tours begin at Richard Serra’s The Hedgehog and the Fox sculpture near Taplin Auditorium (Fine Hall). Sō Percussion, Princeton University’s Edward T. Cone Performers-in-Residence have commissioned 6 Princeton composers – Seth Cluett, - [virtual reality installation 'world and place evaporating' with chris manzione at Virtualities & Realities at kim? Art Center in Riga, Latvia](https://sethcluett.com/2017/virtual-reality-installation-world-and-place-evaporating-with-chris-manzione-at-virtualities-realities-at-kim-art-center-in-riga-latvia/) - Virtualities and Realities RIXC ART SCIENCE FESTIVAL EXHIBITIONS The contemporary digital art exhibitions of this year's RIXC Festival 2017 are introducing new immersive experiences, whereby exploring complex relations between the “virtualities” and “realities” in our post-media society with its networked communities and migrating cultures. The main festival exhibition shows 25 artworks that experiment with augmented - [speaking at the Brooklyn College Composers Forum and performing Oliveros at Shapeshifter lab for the 31st Biannual International Electroacoustic Music Festival](https://sethcluett.com/2017/speaking-at-the-brooklyn-college-composers-forum-and-performing-oliveros-at-shapeshifter-lab-for-the-31st-biannual-international-electroacoustic-music-festival/) - The Conservatory of Music of Brooklyn College Presents: 31st Biannual International Electroacoustic Music Festival This five-day festival is a tribute to the late-great Pauline Oliveros. The Friday night concert kicks off the Conservatory’s Oliveros Symposium : “Legacies of Pauline Oliveros” The concerts will feature special guest performances in tribute to this great innovator and master - [bassoonist Christin Schillinger takes 'a rift within' on tour to Texas 10/17-10/20](https://sethcluett.com/2017/bassoonist-christin-schillinger-takes-a-rift-within-on-tour-to-texas-1017-1020/) - Christin Schillinger will be in Austin and Dallas providing recitals, reed lectures, and private lessons! All events are free to the public. She'll perform my work 'a rift within' for bassoon and electronics with 3d-printed augmentation Tuesday, October 17: Austin, Texas University of Texas 2pm Reed Workshop 7:30pm Recital Friday, October 20: Denton, Texas University - [a murmur which redoubles will be performed during Dead Plants & Living Objects at De Doelen, Rotterdam, The Netherlands, 9/28](https://sethcluett.com/2017/a-murmur-which-redoubles-will-be-performed-during-dead-plants-living-objects-at-de-doelen-rotterdam-the-netherlands-928/) - Harden, Strootman, Hijmans Dead Plants & Living Objects Pete Harden elektrische gitaar Aart Strootman elektrische gitaar Wiek Hijmans elektrische gitaar Fred Jacobsson basgitaar Pierre Berthet slagwerk en installatie Rie Nakajima installatieTom Johnson Galileo Pete Harden Preservation (Mountain Blue Butterfly) Morton Feldman The Possibility of A New Work for Electric Guitar Seth Cluett a murmur - [20.4-channel live performance and talk during Ars Electronica, Linz, Austria, September 9-11](https://sethcluett.com/2017/20-4-channel-live-performance-and-talk-during-ars-electronica-linz-austria-september-9-11/) - Computer Music Concert curated by Andreas Weixler, Se-Lien Chuang and Volkmar Klien Anton Bruckner Private University / ars electronica festival 2017 Program Luiza Schulz: Fantasia fixed media Dorit Chrysler: Melting Glaciers theremins, voices, synthesis Dante Tanzi: Virtual Debris electroacoustic composition world premiere Seth Cluett: Instantaneous Volumes in Instantaneous Space 20.4. channel live performance - [named artist-in-residence with Nokia Bell Labs Experiments in Art and Technology](https://sethcluett.com/2017/named-artist-in-residence-with-nokia-bell-labs-experiments-in-art-and-technology/) - From June 2017 to January 2018, I have the honor of maintaining a studio as full-time artist-in-residence at Nokia Bell Labs on their Murray Hill, New Jersey campus. I’ll be working with researchers on haptic and acoustic communication technology as well as developing a series of chamber music works to be performed in their anechoic - [performing as part of Michael Schumacher's Portable Multi-Channel Sound System at Sunview Luncheonette, 11/5 at 9pm](https://sethcluett.com/2016/performing-as-part-of-michael-schumachers-portable-multi-channel-sound-system-at-sunview-luncheonette-115-at-9pm/) - [To Notice and Remember in three exhibitions this fall: Moving Image Instanbul, CMU Weird Realities, and iDMAa iDEAS Exhibition](https://sethcluett.com/2016/to-notice-and-remember-in-three-exhibitions-this-fall-moving-image-instanbul-cmu-weird-realities-and-idmaa-ideas-exhibition/) - NEW REALITIES Moving Image and Alt Art Space Istanbul Opening reception: Thursday, September 22, 18:00-20:00 Exhibition dates: Sept 23, 24 and 25, 2016 Opening Hours: Friday and Saturday, 13:00-21:00; Sunday 11:00-19:00 Alt Art Space hosts Moving Image Immersive Media’s special exhibition New Realities, featuring an international group of artists creating works in virtual reality - [Panel Discussion and the Deformation of Figures for fEAT at Stony Brook University, October 15, 2016](https://sethcluett.com/2016/panel-discussion-and-the-deformation-of-figures-for-feat-at-stony-brook-university-october-15-2016/) - Fiftieth Anniversary of E.A.T. Colloquium Oct 13, 4:00pm Guerilla Girls The Artworld and Beyond (Wang Center Theater) Oct 14, Colloquium: The Legacy of E.A.T. (Humanities Institute) 11 am Panel with select Musicians from Fifty years of Music and Technology, with: Phil Edelstein, Michelle Jaffe, Lauren Hayes, Izzi Ramkissoon, Troy Rogers, and Carla Scaletti. Dan Weymouth - [Two new installations for Max Feed, Frac Franche-Comté, Besançon, France October 9-December 30, 2016](https://sethcluett.com/2016/two-new-installations-for-max-feed-frac-franche-comte-besancon-france-october-9-december-30-2016/) - From the press release: Max Feed A collective exhibition on the work and legacy of Max Neuhaus October 9 - December 30, 2016 Frac Franche-Comté Besançon (France) Artists in the Exhibition Seth Cluett, Trisha Donnelly, Nina Katchadourian, Myriam Lefkowitz, Simon Ripoll-Hurier, Sébastien Roux, Matthieu Saladin, Oleg Tcherny, Olivier Vadrot and Max Neuhaus. Curated by: Daniele - [To Notice and Remember in NEW REALITIES exhibition in Istanbul curated by Moving Image 9/22-9/25](https://sethcluett.com/2016/to-notice-and-remember-in-new-realities-exhibition-in-istanbul-curated-by-moving-image-922-925/) - NEW REALITIES Opening reception: Thursday, September 22, 18:00-20:00 Exhibition dates: Sept 23, 24 and 25, 2016 Opening Hours: Friday and Saturday, 13:00-21:00; Sunday 11:00-19:00 Alt Art Space hosts Moving Image Immersive Media’s special exhibition New Realities, featuring an international group of artists creating works in virtual reality (VR) and augmented reality (AR), referred to together - [International Contemporary Ensemble performs Objects in Stillness at Abrons Arts Center - 9/18 8pm](https://sethcluett.com/2016/international-contemporary-ensemble-performs-objects-in-stillness-at-abrons-arts-center-918-8pm/) - OpenICE 2016 Season Launch: Objects in Stillness September 17, 2016 | 8:00pm Abrons Arts Center 466 Grand Street (at Pitt Street) New York, NY 10002 FREE (with reservation) The 2016-17 OpenICE season launches September 16 - 18 at the Abrons Arts Center with a celebration of vastly different styles of performance. OpenICE invites the audience - [Performance with Pauline Oliveros for 9 Evenings + 50 at Fridman Gallery 9/24 at 8pm](https://sethcluett.com/2016/performance-with-pauline-oliveros-for-9-evenings-50-at-fridman-gallery-924-at-8pm/) - 9 Evenings + 50 September 16-24, 2016 Co-produced by Julie Martin and Fridman Gallery. Curators: Julie Martin, Regine Basha and Daniel Neumann Fridman Gallery will present a concert series, 9 Evenings + 50, by three generations of composers and performers. The series recognizes and celebrates the 50th anniversary of 9 Evenings: Theatre & Engineering – - [RESOUND at the Stony Brook Simons Center for Geometry and Physics 9/14-10/28](https://sethcluett.com/2016/resound-at-the-stony-brook-simons-center-for-geometry-and-physics-914-1028/) - From their website: RESOUND Thursday, September 8, – Friday, October 28, 2016 Simons Center Gallery Curated by Lorraine Walsh with Margaret Schedel and Joo Yun Lee Featuring the work of Memo Akten, Sougwen Chung, Seth Cluett, Yoon Chung Han, Carsten Nicolai, Jess Rowland Opening Reception: Wednesday, September 14, 2016 5:00 pm: Wine and - [Workshop on Outdoor Acoustics at Wavefarm 9/10/16 12-4pm [ FREE ]](https://sethcluett.com/2016/workshop-on-outdoor-acoustics-at-wavefarm-91016-12-4pm-free/) - From the Wave Farm Website: Sep 10, 2016: 12pm - 4pm Wave Farm 5662 Route 23 | Acra, NY 12405 | 518-622-2598 Seth Cluett leads a workshop on acoustics from the perspective of developing sound works situated in the landscape. Beginning with a basic overview of what sound waves are and how they move, the workshop will focus on - [Performance at Erstwhile AEU Festival 6/18 at 2pm](https://sethcluett.com/2016/performance-at-erstwhile-aeu-festival-618-at-2pm/) - Michael Bullock, Sarah Hennies, and Seth Cluett perform at the Erstwhile Records AEU Festival About the performance: "This will be an "open-ended installation/performance" with the three of us each planning a mix of - [West Coast events 4/5-4/11](https://sethcluett.com/2016/west-coast-events-45-411/) - I'm headed out West for some concerts and talks, follow the links for details for each event: 4/5 - Solo and with Tim Perkis Center for New Music, San Francisco 4/6 - Colloquium at CCRMA at Stanford 4/8 - Solo at Volume Projects at South of Sunset, - [two new works in Space Between the Skies opening 3/23/16 at apexart in NYC](https://sethcluett.com/2016/two-new-works-in-space-between-the-skies-opening-32316-at-apexart-in-nyc/) - Space Between the Skies replaces the physical space of apexart with multiple virtual landscapes, either created from imagery collected at real world sites or from 3D constructed spaces. Hacked architectural and video game imagery, algorithmic collages, documentary footage of Wuhan, China, and dynamically - [psychoacoustics](https://sethcluett.com/2015/psychoacoustics/) - inward turning histories created for the avant.org - Sonic Research: Psychoacoustics events during the Allgold residency at MoMA/PS1 forces: solo laptop, subwoofers, 6-channel sound duration: 25' year: 2015 Read review of initial performance in SciArt in America: [ here ] [soundcloud url="https://api.soundcloud.com/tracks/237742347" params="auto_play=false&hide_related=true&show_comments=false&show_user=false&show_reposts=false&visual=false&show_artwork=false&show_playcount=false&download=false&sharing=false" width="100%" height="100" iframe="true" /] - [tim feeney performs an excerpt from The Deformation of Figures at New Music Gathering](https://sethcluett.com/2016/tim-feeney-performs-an-excerpt-from-the-deformation-of-figures-at-new-music-gathering/) - Peabody Institute of The John Hopkins University Thursday January 7th, 2016 8pm - Free with Festival or Festival Day pass for more info see the New Music Gathering website: [ here ] - [new radio work created for wave farm presented on the radia network](https://sethcluett.com/2015/new-radio-work-created-for-wave-farm-presented-on-the-radia-network/) - A new radio work about auditory memory airs on the Radia network of experimental radio stations. About the piece, I grew up rurally in the foothills of the Berkshire mountains on the eastern border of New York state and the states of Vermont and Massachusetts. Though I was at the periphery of three - [2014 performance at Experimental Intermedia airs on Clocktower Radio](https://sethcluett.com/2015/2014-performance-at-experimental-intermedia-airs-on-clocktower-radio/) - Clocktower Radio presents my long-form work for amplified paper, oscillators, field recordings, and prepared zither. Recorded December 2014 at Experimental Intermedia Foundation in New York City. - [review of Avant's Sonic Research event for ALLGOLD at MoMA/PS1 in Sci Art in America](https://sethcluett.com/2015/review-of-avants-sonic-research-event-for-allgold-at-momaps1-in-sci-art-in-america/) - "... the field recordings are so delicate—it is hard to imagine the impact of snow on dried leaves would create a distinct sound in itself. His recordings are even poetic and very attune to the delicate rumblings of nature. Reading the recordings he used was completely different than listening to the recordings themselves—when I read - [new piece presented at the Whitney Museum of American Art 8/20 8pm](https://sethcluett.com/2015/new-piece-presented-at-the-whitney-museum-of-american-art-820-8pm/) - 99 Objects: Seth Cluett on 4th wall: 24 lines from the center, 12 lines from the midpoint of each of the sides, 12 lines from each corner by Sol LeWitt Thurs, Aug 20, 2015 8 PM Location: Floor Five Seth Cluett, artist, will address 4th wall: 24 lines from the center, 12 lines from - [performance at Fridman Gallery 7/7 at 8pm](https://sethcluett.com/2015/performance-at-fridman-gallery-77-at-8pm/) - MV CARBON SETH CLUETT Thursday, July 16 Doors open at 7:30pm, performances begin at 8pm sharp. For more info: http://www.fridmangallery.com/#!sphere/cm23 M.V. Carbon is a Brooklyn based composer and sound artist who is recognized for her non-traditional approach to music. She plays stringed instruments through electronics, and uses tape machines, vocals, electronic processes, analog synthesis, frequency, tone and imagery - [video, new work for instruments and video performer at LOOP Festival, Barcelona 5/28-6/6](https://sethcluett.com/2015/video-new-work-for-instruments-and-video-performer-at-loop-festival-barcelona-528-66/) - 28 May/06 June 2015 Reial Cercle Artístic de Barcelona Curated by Barbara Held and Yapci Ramos A project by LOOP 2015 and Hangar in collaboration with the Orquesta del Caos [Beyond the Image: Sound] LOOP Barcelona 2015, the Reial Cercle Artístic de - [performing and speaking at ALLGOLD in the MoMA/PS1 Printshop 5/30](https://sethcluett.com/2015/performing-and-speaking-at-allgold-in-the-momaps1-printshop-530/) - AVANT.org presents: SONIC RESEARCH: Psychoacoustics Session I An experimental symposium in dialogue, performance, and installation. Hosted by ALLGOLD at the ALLGOLD MoMA PS1 Print Shop. :: Saturday, May 30, 2014 :: ALLGOLD MoMA PS1 Print shop :: 22-01 Jackson Ave, Long Island City, New York 11101 :: 4:00 - 10:00 PM :: $10 door Sonic - [premiere of 'the deformation of figures' for tim feeney at Crane Arts in Philadelphia 3/7 at 8pm](https://sethcluett.com/2015/premiere-of-the-deformation-of-figures-for-tim-feeney-at-crane-arts-in-philadelphia-47-at-8pm/) - the deformation of figures Tim Feeney and Seth Cluett 8pm March 7, 2015 ICEBOX Project Space Crane Arts 1400 N American St, Philadelphia, PA 19122 $10/$7 students for info contact: http://www.cranearts.com/wordpress/icebox ICEBOX Project Space at Crane Arts and Philadelphia Sound Forum are excited to present percussionist Tim Feeney performing a new work for large bass - [New York premiere of 'the deformation of figures' with Tim Feeney at Fotofono 3/15](https://sethcluett.com/2015/new-york-premiere-of-the-deformation-of-figures-with-tim-feeney-at-fotofono-315/) - Sunday, March 15 (matinee) at 3:00 pm Tucker Dulin / Ben Owen Seth Cluett / Tim Feeney Fotofono 440 Broadway #2L Brooklyn NY 11211 This is a free admission series of events in a private studio with limited seating space. Please do not re-post this announcement on public lists. Email gill@m-i-c-r-o.net for more information. - [new video work in Ears Back, Eyes Forward at Vox Populi Gallery in Philadelphia 2/6 to 3/1](https://sethcluett.com/2015/new-video-work-in-ears-back-eyes-forward-at-vox-populi-gallery-in-philadelphia-26-to-31/) - Ears Back, Eyes Forward: Video shorts from musicians and other listeners A video reel curated by Mike and Linda Aubry Bullock February 6 - March 1 Vox Populi 319 North 11th Street 3rd Floor Philadelphia, PA 19107 215-238-1236 Tel Ears Back, Eyes Forward brings together 11 artists whose video works engaged us in the - [collection of work presented on WebSYNradio 12/25/14 to 1/8/15](https://sethcluett.com/2015/collection-of-work-presented-on-websynradio-122514-to-1815/) - Direct link to m3u playlist - [here] From the website (english below): Que ce soit le fait de tracer une ligne, d’imprimer chimiquement de la lumière sur du papier ou recueillir un son à travers un microphone , tous ces actes mimétiques liés à l’enregistrement – qui font entrer des traces du monde dans - [solo performance at experimental intermedia foundation in new york on december 18th at 9pm](https://sethcluett.com/2014/solo-performance-at-experimental-intermedia-foundation-new-york/) - please join me for the presentation of a new long-form work for amplified paper, field recordings, oscillators, and a prepared zither Experimental Intermedia The Twenty-fifth Annual Festival with no fancy name, Part One (or A) 224 Centre Street at Grand, Third Floor, N Y 10013 (212) 431-5127 or (212) 431-6430 - [performing/speaking at Bucknell University on October 24, 2014](https://sethcluett.com/2014/performingspeaking-at-bucknell-university-on-october-24-2014/) - I will be giving a performing a public concert in the Bucknell University Gallery concert series on October 24, 2014. Come by if you can, details can be found [ HERE ] - [forms of forgetting out now on line](https://sethcluett.com/2014/forms-of-forgetting-out-now-on-line/) - LINE is proud to present a second recording by American sound artist Seth Cluett, following his beautiful 2011 release Objects of Memory (LINE_048). Forms of Forgetting is a studio construction investigating memory/forgetting and attention/inattention as catalysts for formal development in long-duration sound work. An extension of Seth Cluett’s gallery-based practice and created out of a sequence - [Diary of an Image - DD Dorvillier](https://sethcluett.com/2014/diary-of-an-image-dd-dorvillier/) - Diary of an Image - DD Dorvillier “Extra Shapes,” in Diary of an Image – DD Dorvillier – Danspace Project Platform 2014, edited by Jenn Joy and DD Dorvillier. New York: Danspace Project, 2014. - [artspeak/coffee news pamphlet](https://sethcluett.com/2014/artspeakcoffee-news/) - pamphlet of images created by Seth Cluett and Justin Luke from materials drawn from Cluett's Sound Practice Archive - [Tacet Revue (03)](https://sethcluett.com/2014/tacet-revue-03/) - Tacet 03 “Sound, Space, and the Politics of Listening.” Tacet Revue 3 (2014). - [the multi-sensory museum](https://sethcluett.com/2014/the-multi-sensory-museum/) - the multi-sensory museum “Ephemeral, Immersive, Invasive: Sound as Curatorial Theme 1966-2012,” in Multisensory Museum: A Cross-disciplinary Perspective on Multiple Modalities of a Museum Experience, edited by Nina Levant and Alvaro Pascual-Leone. New York: AltaMira, 2013. Print. - [new short reflection in catalogue for PLATFORM 2014: Diary of an Image by DD Dorvillier](https://sethcluett.com/2014/new-short-reflection-in-catalogue-for-platform-2014-diary-of-an-image-by-dd-dorvillier/) - Catalogue for the Danspace Project Platform, PLATFORM 2014: Diary of an Image by DD Dorvillier. Edited by Jenn Joy & DD Dorvillier. Contributors include: Katerina Andreou, Boaz Barkan, Oren Barnoy, Seth Cluett, DD Dorvillier, Danielle Goldman, Ishmael Houston-Jones, Trajal Harrell, Judy Hussie-Taylor, Heather Kravas, Jennifer - [review of Persistence of Traces exhibition in Studio International](https://sethcluett.com/2014/review-of-persistance-of-traces-exhibition-in-studio-international/) - "The Persistence of Traces includes stand-alone pieces, projection, sound and drawing, and, although the work is fixed in place, a sense of the ephemeral fills the space. Cluett’s work is fleeting yet satisfying. The stripped-back audio is like catching a passing scent of blossom - [performing with Johnny Chang at Studio8 in Berlin on June 8, 2014](https://sethcluett.com/2014/performing-with-johnny-change-at-studio8-in-berlin-on-june-8-2014/) - #017 : Sunday, June 8th 8:00pm (music begins on time) Seth Cluett Johnny Chang http://www.sacredrealism.org/series/ Studio Acht Grüntaler 8 Berlin-Wedding 13357 bar opens at 19:00 music begins at 20:00 (on time!) entrance: 3 - 5€ U8 and S-Bahn to Gesundbrunnen - [new essay out in LP release with Sebastien Roux on Future Audio Graphics](https://sethcluett.com/2014/new-essay-out-in-lp-release-with-sebastien-roux-on-future-audio-graphics/) - Inevitable Music #1: Variations on Sol LeWitt’s Wall Drawing #260 will be released on May 20th, 2014. Inevitable Music #1 is a collection of sonic translations of Sol LeWitt’s Wall Drawing #260 composed by Sébastien Roux. Composer and writer Seth Cluett provides the - [solo exhibition at Audio Visual Arts in NYC - opening April 13th](https://sethcluett.com/2014/solo-exhibition-at-audio-visual-arts-in-mahattan-march-23rd-details-tbd/) - the persistence of traces April 13 to May 11, 2014 Opening April 13th, 12 to 6 (4 to 6 reception with the artist) Audio Visual Arts 34 East 1st Street New York, NY 10003 - [parisonic room](https://sethcluett.com/2012/parisonic-room/) - exhibition catalog for parisonic room, 2012 Parisonic Room, Gaité Lyrique, Paris, France - [space with sound ](https://sethcluett.com/2010/space-with-sound/) - exhibition catalog for Sound in Space: Annea Lockwood, Seth Cluett, Steve Peters, Steve Roden 2010, Space with Sound, Martin Gallery, Muhlenberg College, Allentown, PA - [artpulse magazine - in conversation with richard garet](https://sethcluett.com/2013/artpulse-magazine-in-conversation-with-richard-garet/) - conversation with richard garet “On Sound. Richard Garet in Conversation with Seth Cluett,” ArtPulse 16 (2013). - [an exchange with sol lewitt](https://sethcluett.com/2011/an-exchange-with-sol-lewitt/) - catalog for "an exchange with sol lewitt" exhibition, Mass MoCA/Cabinet Space - [movement research performance journal issue42](https://sethcluett.com/2014/mrpj42/) - interview with Zeena Parkins “Zeena Parkins in Conversation with Seth Cluett,” Movement Research Performance Journal 43 (2013). - [ed osborn - standing wave](https://sethcluett.com/2012/ed-osborn-standing-wave/) - catalog essay for ed osborn - standing wave "Standing Wave," in Ed Osborn: Standing Wave, edited by Scott Sherk and Kathy Burke. Allentown: Martin Art Gallery, Muhlenberg College, 2012. - [leonardo music journal issue23](https://sethcluett.com/2014/lmj23/) - leonardo music journal issue23 “Sound or Its Absence.” Leonardo Music Journal 23 (2013): 92. - [lecture and performance as part of the SMFAs Intonarumori Artist Lecture Series - March 31st from 12:30 - 2pm](https://sethcluett.com/2014/lecture-and-performance-as-part-of-the-smfas-intonarumori-artist-lecture-series-march-31st-from-1230-2pm/) - SMFA's Sound area brings a series of visiting artists to share and discuss their work with the SMFA community. "Intonarumori" collaborates with Harvard University's "Hearing Modernity" seminar series to bring groundbreaking visual artists and scholars in the field of sound to students at both institutions. All talks are from 12:30-2 pm in the Alfond Auditorium at - [Olivia Block and the Bullock/Cluett/Dulin Trio at the Goethe-Institut Saturday - March 8, 2014](https://sethcluett.com/2014/olivia-block-and-the-bullockcluettdulin-trio-at-the-goethe-institut-saturday-march-8-2014/) - Non-Event and Sedimental records present an evening of music and video with OLIVIA BLOCK performing The War of the Ghosts BULLOCK / CLUETT / DULIN Trio Goethe-Institut Boston 170 Beacon Street Boston, MA 02116 8 p.m. Advance tickets: $10 / $8 for students with ID At the door: $15 / $10 for students with ID - [lecture/workshop on sound art curating/archiving @ Bard Center for Curatorial Studies - February 19th, 11am](https://sethcluett.com/2014/lectureworkshop-on-sound-art-curatingarchiving-bard-center-for-curatorial-studies-february-19th-11am/) - presenting excerpts from my recent book chapter 'Ephemeral, Immersive, Invasive: Sound as Curatorial Theme 1967-2013' from Multisensory Museum: A Cross-disciplinary Perspective on Multiple Modalities of a Museum Experience, edited by Nina Levant and Alvaro Pascual published by AltaMira, 2013 - [duo performance with Richard Garet at Eyebeam, NYC - February 17th @ 8:30pm](https://sethcluett.com/2014/duo-performance-with-richard-garet-at-eyebeam-nyc-february-17th-830pm/) - CT-SWaM (Contemporary Temporary - Sound Works and Music) February 17th, doors @ 8:30pm Eyebeam Art & Technology Center 540 W 21st St. New York, NY 10011 Maria Chavez/Audrey Chen, duo Seth Cluett, solo Richard Garet, solo Cluett/Garet, duo - [exhibition essay for bioderivas exhibition (garet, held, ramos) at Museo de la Naturaleza y el Hombre, Canary Islands](https://sethcluett.com/2013/exhibition-essay-for-bioderivas-exhibition-garet-held-ramos-at-museo-de-la-naturaleza-y-el-hombre-canary-islands/) - 13 December, 2013 to 14 February, 2014 Museo de la Naturaleza y el Hombre Calle Fuente Morales, s/n 38003 Santa Cruz de Tenerife - [performing with David Watson for the Duets In the Dark Festival at Firehouse Space](https://sethcluett.com/2013/performing-with-david-watson-for-the-duets-in-the-dark-festival-at-firehouse-space/) - curated by David Linton http://duetsinthedark.blogspot.com/ Start:December 15, 2013 - 7:00 pm Cost:7/12 $7 for each set or $12 for both sets New Friends and Old Strangers alike engage – One on One – in Sonic Communion…with the lights out… Featuring: 7pm - Jim Coleman, Phil Puleo, Wolfgang Gil, Gill Arno, John King, Lukas Ligeti, David Watson, Seth Cluett, Zeena Parkins, Andrea Parkins 10pm - Bradford Reed, Kyungmi Lee (encore - [out now: wound of this deep blue. on Notice Recordings](https://sethcluett.com/2013/out-now-wound-of-this-deep-blue-on-notice-recordings/) - ( Notice #26 ) — Seth Cluett : “ wound of this deep blue. ” The multifaceted work of composer Seth Cluett has garnered wide praise for, among other things, its attention to detail and organic sense of order. Cluett often explores - [out now: sound, or its absence - CD companion to the MIT Press Leonardo Music Journal Issue 23: Sound Art](https://sethcluett.com/2013/out-now-sound-or-its-absence-cd-companion-to-the-mit-press-leonardo-music-journal-issue-23-sound-art/) - From Nic Collins: Art is getting noisier every day. Whether made by sculptors, video artists, composers, printmakers or installation artists, there’s no question but that “Sound Art” is a genre ascendant. The Turner Prize went to a Sound Artist - [On Sound - in conversation with Richard Garet as feature story for Artpulse Magazine](https://sethcluett.com/2013/in-conversation-with-richard-garet-feature-story-for-artpulse-magazine/) - [interview with zeena parkins out now in the Movement Research Performance Journal](https://sethcluett.com/2013/interview-with-zeena-parkins-out-now-in-the-movement-research-performance-journal/) - [performing opposite Jason Lescalleet and Graham Lambkin at Issue Project Room on 9/28/13](https://sethcluett.com/2013/performing-opposite-jason-lescalleet-and-graham-lambkin-at-issue-project-room-on-92813/) - Sat, September 28, 2013 - 8:00pm ISSUE Project Room, 22 Boerum Place, Brooklyn Graham Lambkin and Jason Lescalleet by Kate Bones Graham Lambkin and Jason Lescalleet began their collaborative endeavors back in 2008 with the release of their much acclaimed The Breadwinner— a work which cracked open the artistic potential of mundane and commonplace circumstance, part - [in conversation with MoMA Curator Barbara London about Soundings, and moderating a panel with Richard Garet, Camille Norment, and Ed Osborn at the Pew](https://sethcluett.com/2013/in-conversation-with-moma-curator-barbara-london-about-soundings-and-moderating-a-panel-with-richard-garet-camille-norment-and-ed-osborn-at-the-pew/) - Sound Art: Context and Material Conversations with Richard Garet, Barbara London, Camille Norment, and Ed Osborn Moderated by Seth Cluett Presented by The Pew Center for Arts & Heritage September 10, 2013 1 p.m. to 4 p.m. Crane Arts Icebox 1400 North American - [performing solo as part of sfSoundSeries, san francisco 8/27 @ 8pm](https://sethcluett.com/2013/performing-solo-as-part-of-sfsoundseries-san-francisco-827-8pm/) - sfSoundSeries/sfSoundSalonSeries is a concert series in the san francisco bay area featuring contemporary and experimental music. our programs reach from the latest music of the european avant-garde to the grittiest sounds of the west coast improv-underground, encompassing recent trends in instrumental technique, conceptual - [two works at Lisa Cooley for "The String and the Mirror" curated by Justin Luke and Lawrence Kumpf](https://sethcluett.com/2013/two-works-at-lisa-cooley-for-the-string-and-the-mirror-curated-by-justin-luke-and-lawrence-kumpf/) - I will be showing 100 circles for the mind and a collaboration with James Hoff based on our Reverend Jim Jones People's Temple Choir songbook project at Lisa Cooley for "The String and the Mirror" curated by Justin Luke (Audiovisual Arts) and Lawrence Kumpf (Issue Project Room) Lisa Cooley 107 Norfolk St New York, NY 10002 - [cloud-to-air re-imagined for Mechanical Turks at the 2013 MATA Festival 4/19](https://sethcluett.com/2013/cloud-to-air-re-imagined-for-seeing-stars-composerperformers-at-the-2013-mata-festival/) - cloud-to-air (2013) for 3 clarinets, water-filled metal tray, video, sine waves, field recordings, multi-channel sound Mechnical Turks 4/19/2013 at 7:30pm Roulette 509 Atlantic Ave, Brooklyn, NY - [conversation with richard garet at maas 3/30 at 2pm](https://sethcluett.com/2013/conversation-with-richard-garet-at-maas-330-at-2pm/) - i'll be having a conversation with the artist and musician richard garet at mandragoras art space in long island city, queens on 3/30 at 2pm we'll be discussing the relationship between his performance practice and his art work in support of his solo exhibition at Julian Navarro Projects see the facebook event [ here ] - [overflow and drift](https://sethcluett.com/2010/overflow-and-drift/) - overflow and drift audio excerpt - coming soon... forces: okkyung lee, cello and sine wave oscillators link for download: [coming soon] score: [pdf] - [electronic music 2012 panel with marina rosenfeld, c. spencer yeh, and keith fullerton whitman at the pew center](https://sethcluett.com/2012/moderating-a-panel-with-marina-rosenfeld-c-spencer-yeh-and-keith-fullerton-whitman-at-the-pew-center/) - Conversations and performances with Keith Fullerton Whitman, Marina Rosenfeld, and C. Spencer Yeh Moderated by Seth Cluett December 13, 2012 11 a.m. to 4 p.m. Latvian Society 531 North 7th Street, Philadelphia, PA 19123 Electronic Music 2012 is the first part of a series examining the current culture and - [for morandi](https://sethcluett.com/2011/for-morandi/) - for morandi [soundcloud]http://soundcloud.com/sethcluett/for-morandi[/soundcloud] - [sound for dance](https://sethcluett.com/2011/sound-for-dance/) - sound for dance no change or "freedom is a psycho-kinetic skill" with dd dorvillier praxis with hélène lesterlin - [fleeting and massive](https://sethcluett.com/2008/fleeting-and-massive/) - fleeting and massive [soundcloud]http://soundcloud.com/sethcluett/fleeting-and-massive-live-at[/soundcloud] forces: movement research at judson church, 24 people with hammers, rocks link for download: [mp3] score: [view pdf] - [solo](https://sethcluett.com/2011/solo/) - solo - [sound and image](https://sethcluett.com/2011/improvisation/) - sound and image cloud-to-air, kill your timid notion festival, dundee contemporary arts, scotland longwave with olivia robinson - [improvisation](https://sethcluett.com/2011/improvisation-2/) - improvisation with stephan moore, keith rowe, christian wolff at live at the 64, paris with pauline oliveros, wow&flutter, experimental media & performing arts center, troy, ny with acs (newton armstrong and scott smallwood) - [presenting during 'the status of sound' at cuny 11/30](https://sethcluett.com/2012/presenting-during-the-status-of-sound-at-cuny-1130/) - [formanex performs works by cluett, niblock, rowe, and toeplitz in paris and brussels 11/28-11/30](https://sethcluett.com/2012/formanex/) - November 28, 2012 - The Nantes-based ensemble Formanex will perform a new untitled graphic scored work at Instants Chavirés in Paris and at a location TBD in Brussels on November 30. - [ephemeral](https://sethcluett.com/2012/ephemeral/) - Please post your comments about "Ephemeral, Immersive, Invasive" below. I look forward to hearing from you! Cheers, Seth - [presenting at Sound Art: Ephemeral Sustainability in Bergen, Norway](https://sethcluett.com/2012/presenting-at-sound-art-ephemeral-sustainability-in-bergen-norway/) - Ephemeral Sustainability a conference about presenting, documenting, collecting and archiving sound based contemporary art. Bergen, Norway, October 31st – November 3rd 2012. - [iEAR 40th Anniversary Celebration at EMPAC](https://sethcluett.com/2012/iear-40th-anniversary-celebration-at-empac/) - October 6, 2012, 5:30pm Curtis R. Priem Experimental Media and Performing Arts Center, Theatre Curtis Bahn Improvisation Curtis Bahn, rikEsitar, E-sraj and laptop Seth Cluett, shruti box, laptop, and electronics Michael Bullock, analog & digital video instruments - [Render Visible at Present Company](https://sethcluett.com/2012/render-visible-at-present-company/) - A Loss of Place but a Fragment of Time, 2011, (2) Gray ink, magnetic tape, on 300lb, khadi cotton rag paper, 5 x 5 1/2 inches each Render Visible organized by Blonde Art Books in collaboration with Matthew Walker September 30 – October 28, 2012 RECEPTION: Friday, - [new work at Parisonic 2012](https://sethcluett.com/2012/new-work-at-parisonic-2012/) - After Environments in 2010, Hear & Now in 2011, Purepresence presents Parisonic Room, the third edition of Parisonic at La Gaîté Lyrique in Paris. From September 2012, 11th to 23rd , a series of sound projections in the Chambre Sonore (Sonic Room) gathers procedural, conceptual, sensible pieces which makes - [LES FANTÔMES DES ESPACES PUBLICS / GHOSTS OF PUBLIC SPACES](https://sethcluett.com/2012/les-fantomes-des-espaces-publics-ghosts-of-public-spaces/) - Steve Roden + Seth Cluett + Catherine Béchard & Sabin Hudon + Douglas Moffat Portes | Doors: 06/12/2012 - 8:00pm Tickets available for: 1 day 6 hours Salle | Venue: La Sala Rossa - 4848 St.Laurent, Mtl. QC Contact Info: Suoni Booking | 514-284-0122 (#222) - [3/16 colloquium and 3/16-17 performance with Michael Bullock during Carnvoic @ Oberlin ](https://sethcluett.com/2012/316-colloquium-and-316-17-performance-with-michael-bullock-during-carnvoic-oberlin/) - [2/3-4 colloquium @ university of virginia / concert @ the bridge, charlottesville](https://sethcluett.com/2012/23-4-colloquium-university-of-virginia-concert-the-bridge-charlottesville/) - i will be presenting recent work in a colloquium in the composition program of the mcintire department of music at the university of virginia on feb 3 from 3:30-5pm, 107 old cabell hall. for more information visit the music department [ site ] on the 4th, i'll present a solo performance at the bridge progressive - [new installation at resonant bodies exhibition, besançon, france](https://sethcluett.com/2011/new-installation-at-resonant-bodies-exhibition-besancon-france/) - Opening 6, December 2011, Ecole régionale des beaux-arts de Besançon Curated by Yvan Etienne and presented jointly by FRAC Franche-Comte, Erba, Art Center mobile, Sonic, Esa-Le Quai de Mulhouse, Resonant Bodies features work by Baudevin Francis, Seth Cluett, Jung Hee Choi, and Phill Niblock. - [palmetto (with robert kushner)](https://sethcluett.com/2005/palmetto-with-robert-kushner/) - [forms of forgetting](https://sethcluett.com/2010/forms-of-forgetting/) - [paper and stones](https://sethcluett.com/2010/paper-and-stones/) - [long wave (with olivia robinson)](https://sethcluett.com/2011/long-wave-with-olivia-robinson/) - [le quai issue 46](https://sethcluett.com/2011/le-quai-46/) - le quai issue 46 “Re-thinking Site: From the Specific to the Engaged.” Le Quai 31 (2010): 4. - [306090 issue 6](https://sethcluett.com/2004/306090-06/) - 306090 issue 6 “A Dance About Emptiness.” 306090 06 (2004): 182. - [earshot issue 3](https://sethcluett.com/2003/earshot-issue-3/) - earshot issue 3 “Silent Building, Silent Mind: Essays on Sound and Architecture.” Earshot 4 (2003): 5-6. - [foArm issue 4](https://sethcluett.com/2005/foarm-4/) - foArm issue 4 “waterfall.” FO(A)RM 4 (2005): cover. - [leonardo music journal issue16](https://sethcluett.com/2006/lmj16/) - leonardo music journal issue16 “Toward a Post-Phenomenology of Extra-Musical Sound as Compositional Determinant.” Leonardo Music Journal 16 (2006): 42. - [tools of mind](https://sethcluett.com/2007/tools-of-mind/) - tools of mind “Two Duos for Rubbing Stones on Stone (On a Poem by Giacinto Scelsi).” In Tools of Mind, edited by Matthew Marble, 17. Portland: FO(A)RM, 2007. - [open space magazine issue 10](https://sethcluett.com/2008/open-space-magazine-issue-10/) - open space magazine issue 10 “Le Corps est une Usine à Sons/The Body is a Sound Factory: Postlude to the Work of Henri Chopin (1922-2008).” The Open Space Magazine 10 (2008): 93-98. - [bypass issue 2](https://sethcluett.com/2009/bypass/) - bypass issue 2 “A Phatic Topography: Two Recent Works with Sound.” Bypass 2 (2010): 128-139. - [shifter issue 16](https://sethcluett.com/2010/shifter-16/) - shifter issue 16 “eccentricity.” Shifter 16 (2010): 169. - [the book of guilty pleasures](https://sethcluett.com/2011/the-book-of-guilty-pleasures/) - the book of guilty pleasures “bathwater.” In The Book of Guilty Pleasures, edited by Song Ming An and Kim Cascone, 40-41. Singapore: Circadia Songs, 2011. - [Journal of the Acoustical Society of America 110/2692 ](https://sethcluett.com/2001/journal-of-the-acoustical-society-of-america-1102692/) - Journal of the Acoustical Society of America 110/2692 with Curtis Bahn. “Interactions among acoustics, digital signal processing, and movement,” Proceedings of the Journal of the Acoustical Society of America 108 (2000): 2538. - [Journal of the Acoustical Society of America 108/2538](https://sethcluett.com/2000/journal-of-the-acoustical-society-of-america-1082538/) - Journal of the Acoustical Society of America 108/2538 with Scott Smallwood. “The Integration of computer-generated sounds and acoustic sources during live electro-acoustic improvisation” Proceedings of the Journal of the Acoustical Society of America 110 (2001): 2692. - [cloud-to-air showing at the Brick + Mortar International Film and Video Festival](https://sethcluett.com/2011/cloud-to-air-showing-at-the-brick-mortar-international-film-and-video-festival/) - i'll be mounting cloud-to-air in a dis-used building in downtown Greenfield, MA at the Brick + Mortar International Film and Video Festival curated by Christoph Cox. - [album cover drawing and track out now on winds measure](https://sethcluett.com/2011/album-cover-drawing-and-track-out-now-on-winds-measure/) - i've contributed a drawing and a short audio track to the winds measure wm20 various v-p v-f is v-n, cs02 compilation - [short essay - out now in The Book of Guilty Pleasures](https://sethcluett.com/2011/short-essay-out-now-in-the-book-of-guilty-pleasures/) - my essay, "bathwater," is out now in The Book of Guilty Pleasures, edited by Song-Ming Ang and Kim Cascone - [objects of memory, out now on line](https://sethcluett.com/2011/objects-of-memory-out-now-on-line/) - release: - out april 12, 2011, objects of memory on richard chartier's line imprint from the label press release: beneath the fabricating and universal writing of technology, opaque and stubborn places remain . . . hidden in customs, rites, and spatial practices . . . only fragments in language . . . like the deteriorating - [new collage works at the NADA art fair](https://sethcluett.com/2011/new-collage-works-at-the-nada-art-fair/) - on 7/30 and 7/31, i'll have four new collage works in the AVA (audiovisual arts) gallery booth at NADA art fair, hudson, new york ## Pages - [Works](https://sethcluett.com/) - artist, performer, composer, improvisor, writer - [Curriculum Vitae](https://sethcluett.com/cv/) - full academic cv [ here ] - [Biography](https://sethcluett.com/bio/) - Seth Cluett is an composer, artist, and scholar whose work ranges from photography and drawing to video, sound installation, concert music, and critical writing. His "subtle…seductive, immersive" (Artforum) work has been characterized as "rigorously focused and full of detail" (e/i) and "dramatic, powerful, and at one with nature" (The Wire). His work is driven by - [Writings](https://sethcluett.com/writings/) - “Atmosphere and Action: Labor, Leisure, and a Change of Air,” MLA National Conference, San Francisco, CA Werner, Kurt James, Ezra J. Teboul, Emma Azelborn, “Modeling and Extending the RCA Mark II Sound Effects Filter,” DAFx 2022, Vienna, Austria “Preserving Hardware History,” Array. The Journal of the International Computer Music Association (2020): 15-21 “The Loudspeaker in - [contact](https://sethcluett.com/contact/) - [Sound Art Resource](https://sethcluett.com/sound-art-resource/) - 12/29/17 - weeded for dead-links until time allows, consider this page as comprehensive up to 2015 - i plan a major update in 2018, if you have suggestions or catch a broken link...i'd love to [ hear ] from you. Sound Art Exhibits/Presentations/Discussions baltic sea biennale for klangkunst 2004, 2006, 2008feta prize for sound artMoMA - SoundingsZKM - [home](https://sethcluett.com/home/) - artist, composer, performer, and theorist working with sound at the nexus of memory, culture, and geography - [exhibitions](https://sethcluett.com/exhibitions/) - Education 2013 Princeton University, PhD in Music Composition 2007 Princeton University, MFA in Music Composition; Certificate in Media and Modernity Studies 2003 Rensselaer Polytechnic Institute, MFA in Electronic Art 1998 New England Conservatory, BM in Music Composition Solo Exhibitions 2018 Birdcage Project Space, curated by Daniele Balit, Naples, Italy 2014 Audio Visual Arts, curated ## Portfolio - [irreversible histories of disturbance](https://sethcluett.com/works/irreversible-histories-of-disturbance/) - Duration: 60-minutes irreversible histories of disturbance was influenced by this quote from the book The Mushroom at the End of the World by the anthropologist Anna Tsing: “People and trees are caught in irreversible histories of disturbance. But some kinds of disturbance have been followed by regrowth of a sort that nurtures many lives.” In - [the stratified character of nature](https://sethcluett.com/works/the-stratified-character-of-nature/) - Media: 10.1-channel sound, dibond UV prints, loudspeaker horns, stands The material for 'the stratified character of nature' was captured at the seam between the concrete and cobble stones of New York City and the flora and fauna of its public green space. Pointing up the problematic role of the inherited 19th c. conception of nature - [a sign of rupture at the heart of being](https://sethcluett.com/works/a-sign-of-rupture-at-the-heart-of-being/) - Forces: 2 VibraphonesScore: Contact2023 From the Press Release:In 2023, Hong Kong New Music Ensemble commissioned composers to create musical duets for young students to perform with their teachers. The compositions incorporate graphic scores, game pieces, and traditionally notated works, bringing together musicians of all levels through a unique journey into contemporary music and art. shapes - [chronopoesis (for disklavier)](https://sethcluett.com/works/chronopoesis-for-disklavier/) - Forces: solo disklavierScore: Contact From the Press Release: “Piano, Alone in a Room” will be a live-streamed series of coded and realtime player piano activations. Artists from diverse backgrounds and disciplines will employ a wide array of compositional techniques, media, software, and technology, all in conversation with the show’s theme of Translating/Transcoding. This event is - [like knots, and the threads from which they are tied](https://sethcluett.com/works/like-knots-and-the-threads-from-which-they-are-tied/) - Forces: Computer-Controlled Organ, Robotic Loudspeaker, and Voice2025Video by Joshua Alavarez Mastel"My contention is that lives are led not inside places but through, around, to and from them, from and to places elsewhere. I shall use the term wayfaring to describe the embodied experience of this perambulatory movement. It is as wayfarers, then, that human beings inhabit the - [small eddies of interlocking lives](https://sethcluett.com/works/small-eddies-of-interlocking-lives/) - small eddies of interlocking lives explores forms of interaction drawn from ecological systems responding to climate change and extraction-capitalism. Disturbance enables remarkable growth, generating new forms, renewing structures, and exposing buried strata, which offers a small optimism for the resiliency of the natural world. "People and trees are caught in irreversible histories of disturbance. But - [aperture is flexible: in media res](https://sethcluett.com/works/aperture-is-flexible-in-media-res/) - media: 8 loudspeakers, 3D PLA prints, acrylic, 8-channel sound, custom softwareduration: infinitedimensions: variableyear: 2016 The landscape is constructed in layers, unfolding while walking, expanding and contracting with distance. From the panorama to the framed aperture, four stereo recordings present an inverse of the distance seen while looking out the window beyond the site-specific construction. While - [homesickness](https://sethcluett.com/works/homesickness/) - 2010 british soldier lichen, shingles, bricks, mirrors, speakers, lightbulbs, sound, light 10″ x 19″ sound in space, martin art gallery, muhlenberg college, allentown, pennsylvania description Rain on the roof above my bedroom is one of my earliest memories, and is certainly my earliest memory of a sound to which I could put a name. My - [the impossibility of closure](https://sethcluett.com/works/the-impossibility-of-closure/) - Medium: Single-channel video, two-channel sound, 8mYear: 2021 "It is the fact of spatial juxtaposition which produces the openness, the impossibility of closure into a synchronic totality. Or, to put it the other way around, this element of the chance/openness of space results from the co-existence of structures which are each in themselves by no means - [no small matter (preliminary experiments)](https://sethcluett.com/works/no-small-matter/) - Click and Hold to Navigate the 360 video Members of the TAK Ensemble experimenting by playing with birds, air traffic, and park goers - [from delivery to withdrawal (into implicit secrecy and silence #3)](https://sethcluett.com/works/into-implicit-secrecy-and-silence-3/) - Forces: Video, Amplified Objects, Computer-aided performance softwarePresented by Asociación de Música Electroacústica de España at Metrònom - Fundació Rafael Tous d’Art Contemporani, Barcelona for LOOP Festival In his text Realist Magic, Objects, Ontology, Causality, Philosopher Timothy Morton suggests that rhetoric is “a gravitational field that sucks us from delivery to withdrawal, from the sensual into implicit - [interference is partial/afterimage](https://sethcluett.com/works/interference-is-partial-afterimage/) - Forces: Flute, Clarinet in Bb, Percussion, Violin, amplified objectsJanuary 2018Link for Download: ForthcomingScore: [ pdf ] - [as the hour jumps to your eyes](https://sethcluett.com/works/as-the-hour-jumps-to-your-eyes/) - (four windows on thalia field) forces: live at fo(a)rm festival (amplified paper, compressed air, stones, tape, live electronics)score: [view pdf] - [objects in stillness](https://sethcluett.com/works/objects-in-stillness/) - forces: clogs (bassoon, viola, guitar, percussion and electronics)score: [ PDF ] - [aperture is distortion: anamorphosis](https://sethcluett.com/works/aperture-is-distortion-anamorphosis/) - media: plywood, mirrors, 8 loudspeakers, 8-channel ambisonic sound, custom software duration: infinite dimensions: variable year: 2016 In this work, viewer/listener position changes perspective at the intersection of sound and cinema. By using a purpose-built periscope, the aperture in the wall inside the viewing space serves as a framing device for an external environment dedicated to - [the interior of objects](https://sethcluett.com/works/the-interior-of-objects/) - forces: transduced snare drum and electronicsscore: forthcoming excerpt of work-in-progress from Inspirefest 2019, Bord Gáis Theatre, Dublin: "...if communications are the elements that compose social systems, then communications refer only to other communications and never anything outside of themselves. Here communication is not something that takes place between systems but is strictly something that takes place - [into implicit secrecy and silence #2](https://sethcluett.com/works/into-implicit-secrecy-and-silence-2/) - media: 4 loudspeakers, 3D PLA print, mirrors, 4-channel sound, custom software duration: infinite dimensions: variable year: 2016 In his text Realist Magic, Objects, Ontology, Causality, Philosopher Timothy Morton suggests that rhetoric is “a gravitational field that sucks us from delivery to withdrawal, from the sensual into implicit secrecy and silence.” In the first iteration of - [eccentricity](https://sethcluett.com/works/eccentricity/) - Forces: Found objectsScore: [ pdf ]Commissioned for and exhibited in Invisible Generation, curated by Daniele Balit at Vision Forum in collaboration with VCA Margaret Lawrence Gallery and Satellite in Melbourne, Les Kurbas Centre in Kiev, Home Shop and CPU 798 in Beijing and OCAT in Shenzhen.Documentation below from the Walking from Scores project curated by - [the bifurcation of nature](https://sethcluett.com/works/the-bifurcation-of-nature/) - Forces: Flute, 3D Print-Modified Flute Headjoint and ElectronicsApril 2018 Link for Download: ForthcomingScore: [ pdf ] - [a murmur which redoubles](https://sethcluett.com/works/a-murmur-which-redoubles/) - excerpt forces: catch electric guitar quartet (3 guitars, electric bass) score: [view pdf] - [a radiance scored in shadow](https://sethcluett.com/works/a-radiance-scored-in-shadow/) - excerpt: forces: so percussion (amplified paper, compressed air, bowed vibraphone, bass drum)score: [view pdf] - [surface studies (ice: above/below)](https://sethcluett.com/works/surface-studies-ice-abovebelow/) - 2007 rosewood and cherry blocks, oil paint, speaker cones, photographs, speaker wire, sound, light 60" x 8" x 8" denniston hill foundation, woodridge, ny solo exhibition, diapason gallery, new york, ny fresh picked, the arts center for the capital region, troy, ny - [sound scatter](https://sethcluett.com/works/sound-scatter/) - (with pauline oliveros and scott smallwood) forces: laptop orchestra (15 laptops, accordion, custom network wiring) score: n/a - [bean counting (for alison knowles)](https://sethcluett.com/works/bean-counting-for-alison-knowles-2/) - forces: amplified beans, clay bowls, cooper pipes, electronicsscore: [contact] - [100 circles for the head](https://sethcluett.com/works/100-circles-for-the-head/) - 2010 headphones, graphite on graph paper dimensions variable re((sound)), hunt gallery, webster college, st. louis, missouri esta casa/esta sonida, miracaibo, venezuela description: 100 circles for the head is a wall-mounted set of drawings and an accompanying headphone-based sound recording. The recording documents the acoustic trace of drawing 100 circles in three different iterations: one hundred - [L’immensité Intime](https://sethcluett.com/works/limmensite-intime/) - 8-channel field recording architectural contraction of building space - [tension and contraction](https://sethcluett.com/works/tension-and-contraction/) - media: handmade cotton rag paper, glass dimensions: 8 x 11 inches; 20.3 x 27.9 cm year: 2014 presented as part of the solo exhibition ‘The Persistence of Traces‘ at Audio Visual Arts in New York City. A site-specific companion piece to semblance, ‘tension and contraction’ was created for Audio Visual Arts Gallery where it was - [event particles (after alfred north whitehead)](https://sethcluett.com/works/event-particles-after-alfred-north-whithead/) - audio coming soon co-composition with Michael Pisaro, premiered at The Wulf, Los Angeles forces: 2 unspecifiedscore: contact 2541 - [darboven tracings](https://sethcluett.com/works/darboven-tracings/) - Forces: Amplified objectsDecember 2018Score: [ pdf ] - [this withdrawl of the body](https://sethcluett.com/works/this-withdrawal-of-the-body/) - forces: newspeak ensemble (voice, clarinet, violin, bass, guitar, synthesizer, drums, percussion) score: [view pdf] - [the little by little suddenly](https://sethcluett.com/works/the-little-by-little-suddenly/) - forces: performed by seth josel (guitar and sine wave oscillators)score: [ pdf ] - [a rift within](https://sethcluett.com/works/a-rift-within/) - Forces: 3D Print-Modified Bassoon and ElectronicsMay 2017Score: [ pdf ] - [no walls (for LeWitt)](https://sethcluett.com/works/no-walls-for-lewitt/) - for the 99 Objects program at the Whitney Museum of American Art performed by Ben Neill, Craig Shepard, and Tucker Dulin photo credits: filip wolak forces: 2 trumpets, trombone, site-specific sound installation link for download: [ mp3 ] score: [ pdf ] - [cloud-to-air (2013)](https://sethcluett.com/works/cloud-to-air-2013/) - 3 clarinets, steel tray, water, video projection, light, sound, vibration transducer, multi-channel audio dimensions variablescore: [ pdf ] 2013 MATA Festival, Roulette, Brooklyn, NY Cloud-to-air examines architectural acoustics through the lens of embodied listening and the memories brought about by the sound of rain. The name of the piece refers to cloud-to-air lightning, where an electrical - [inward turning histories](https://sethcluett.com/works/inward-turning-histories/) - created for the avant.org - Sonic Research: Psychoacoustics events during the Allgold residency at MoMA/PS1 forces: solo laptop, subwoofers, 6-channel soundduration: 25'year: 2015 Read review of initial performance in SciArt in America: [ here ] - [the exercise of memory](https://sethcluett.com/works/the-exercise-of-memory/) - forces: two-channel acousmatic compositioncommissioned by Wavefarm for the Radia Network About the piece:I grew up rurally in the foothills of the Berkshire mountains on the eastern border of New York state and the states of Vermont and Massachusetts. Though I was at the periphery of three minor cities, each had colleges and local radio - [a state of mutual tension](https://sethcluett.com/works/a-state-of-mutual-tension/) - Forces: 3D Print-Modified Alto Flute, Bass Clarinet, Bassoon, Alto Saxophone and ElectronicsNovember 2018Score: [ pdf ] - [sounding circuits: audible histories](https://sethcluett.com/works/sounding-circuits-audible-histories/) - Sounding Circuits: Audible Histories Featuring a state-of-the art immersive multi-channel audio system surrounded by rare objects, artifacts, and recordings from the early history of electronic music, Sounding Circuits: Audible Histories explores the networks of composers and engineers - as well as the groundbreaking facilities and revolutionary technologies - that played a crucial role in the expansion of - [bounding el-jadida](https://sethcluett.com/works/bounding-el-jadida/) - Forces: Found objectsApril 2019Link for Download: ForthcomingScore: [ pdf ] - [between truly equal beings](https://sethcluett.com/works/between-truly-equal-beings/) - Forces: 3D Print-Modified Violin and ElectronicsMay 2018Link for Download: ForthcomingScore: [ pdf ] - [psycho-physical response time 4'54"](https://sethcluett.com/works/psycho-physical-response-time-4-54/) - 20004 channel video, quadrophonic sound, television monitors, video projectiondimensions variablebook/ends arts festival, state university of new york at albany, albany, ny - [precedence effect](https://sethcluett.com/works/precedence-effect/) - 2000 speaker cones, microscope slide glass, concave mirrors, light, sound dimensions variable autumn uprising, the institute of contemporary art, boston, ma - [undr](https://sethcluett.com/works/undr/) - sold out. purchase download edition at sethcluett.bandcamp.com from the label press release: feet, walking, snow, cold air and sine tones. there are fourteen feet all told. the undr quartet (james coleman, greg kelley, vic rawlings, liz tonne ) are responsible for 8 feet, 4 more feet were provided by a black labrador named rudy, the - [masked verticalities:common fate](https://sethcluett.com/works/masked-verticalities-common-fate/) - 2001 speakers, electrical disconnect boxes, sound dimensions variable resynthesis, betty rymer gallery, the school of the art institute of chicago - [masked verticalities](https://sethcluett.com/works/masked-verticalities/) - originally released as a 3" cdr, download the full work at sethcluett.bandcamp.com installation documentation of a site-specific work in the stairwell of the betty rymer gallery at the school of the art institute of chicago - [all that's liquid melts onto glass](https://sethcluett.com/works/all-thats-liquid-melts-onto-glass/) - 2002single channel video, televisiondimensions variablesolo exhibition, deadtech gallery, chicago, il - [mediations (2003)](https://sethcluett.com/works/mediations-2003/) - 2003 steel tray, water, video projection, subwoofer, sound 48" x 48" x 5" s/light, albany center galleries, albany, ny - [modified consumer electronics, handmade electronic music: the art of hardware hacking, 2nd ed.](https://sethcluett.com/works/handmade-electronic-music/) - [a position in equilibrium](https://sethcluett.com/works/a-position-in-equilibrium/) - from the label press release: During a live performance at Studio Soto, Boston, in October 2007, seth cluett created this stunningly sparse set of droning sine waves accompanied by sounds generated by a laundry list of seemingly unrelated objects like styrofoam blocks, slide whistle, tin toys, and motors. The resulting forty-plus minutes unfolds with razor-sharp - [listening to music through community](https://sethcluett.com/works/lmj19-cd-companion-listening-to-music-through-community/) - [100 circles to compare](https://sethcluett.com/works/100-circles-to-compare/) - 2011 laser-etched clipboard, watercolor paper 10" x 19" an exchange with sol lewitt, MassMoCA, north adams, ma an exchange with sol lewitt, cabinet space, brooklyn, ny disruptive stillness, john slusser gallery, university of michigan, ann arbor, mi objects of memory, swarm gallery, oakland, ca objects of memory, aip gallery, berlin, germany - [chthonian music project](https://sethcluett.com/works/chthonian-music-project/) - [sound of ebb](https://sethcluett.com/works/sound-of-ebb/) - [objects of memory](https://sethcluett.com/works/objects-of-memory/) - objects of memory, line imprint from the label press release: beneath the fabricating and universal writing of technology, opaque and stubborn places remain . . . hidden in customs, rites, and spatial practices . . . only fragments in language . . . like the deteriorating pages of a book - Michel de Certeau, The Practice - [focus (for 2, 4, or 8)](https://sethcluett.com/works/focus/) - [a mark in place of acts](https://sethcluett.com/works/a-mark-in-place-of-acts/) - forces: Manhattan School of Music Tactus Ensemble (flute/piccolo, clarinet, oboe, percussion, violin, viola, cello, bass, sine toneoscillators, compressed air)link for download: [mp3]score: [contact] - [anticipatory illumination](https://sethcluett.com/works/anticipatory-illumination/) - forces: beneto cereno ensemble (guitar, accordion, electronics, computer processing score: [contact] - [planned patterns (with olivia block)](https://sethcluett.com/works/planned-patters-with-olivia-block/) - forces: prepared piano, writing implements, percussion, sine wave oscillatorsscore: [contact] - [zero point](https://sethcluett.com/works/zero-point/) - [the chorus of idle footsteps](https://sethcluett.com/works/the-chorus-of-idle-footsteps/) - commissioned by Deleuzer for the Library Sounds series at the School of the Museum of Fine Arts, Boston forces: 3, 6, or 9 unspecified score: contact 2530 - [World and Place Evaporating](https://sethcluett.com/works/world-and-place-evaporating/) - A walking virtual reality installation In collaboration with Christopher Manzione Philosopher and Ecologist Timothy Morton wrote that “ecological awareness consists precisely in concepts such as world and place evaporating, leaving behind real entities that are far closer than they appear in the mirror of human conceptuality.” The framing of ‘the world‘ and of ‘place‘ as grand unifying ideas that define communities - [to notice and remember](https://sethcluett.com/works/to-notice-and-remember/) - media: virtual reality, LIDAR scans, ambisonic audio, custom software duration: infinite dimensions: variable year: 2016 presented as part of the group exhibition ‘Space Between the Skies‘ at Apexart in New York City. Exploring the metaphorical and psychological space of the woods, the collaborative project by Seth Cluett, Ricky Graham, and Christopher Manzione uses contemporary virtual - [lattice](https://sethcluett.com/works/lattice/) - commissioned by So Percussion for the opening of the Lewis Center for the Arts at Princeton University forces: custom-built microtonal aluminum crotales, noise source score: by request - [into implicit secrecy and silence #1](https://sethcluett.com/works/into-implicit-secrecy-and-silence/) - media: 3D PLA print, window, mirrors, loudspeakers, 4-channel audio duration: infinite dimensions: variable year: 2016 first presented as part of the group exhibition ‘Resound‘ at The Simons Center for Geometry and Physics, Stony Brook University, Stony Brook, NY. In his text Realist Magic, Objects, Ontology, Causality, Philosopher Timothy Morton suggests that rhetoric is “a - [doleros (auditory tourism at ringing rocks)](https://sethcluett.com/works/doleros-audio-tourism-at-ringing-rocks/) - sounds - [the persistence of traces](https://sethcluett.com/works/the-persistence-of-traces/) - media: archival pigment print on cotton rag paper dimensions: 8 x 8 inches; 20.3cm x 20.3cm year: 2012 This series consists of unaltered, unprocessed digital photographs of frosted windows captured from a moving car. They were taken in the 6am light and fog of a 30 below zero day close to the family home of - [wound of this deep blue.](https://sethcluett.com/works/wound-of-this-deep-blue-ntr026/) - from the label press release: ( Notice #26 ) — Seth Cluett : “ wound of this deep blue. ”The multifaceted work of composer Seth Cluett has garnered wide praise for, among other things, its attention to detail and organic sense of order. Cluett often explores sound in its ability to create or construct a - [phonography meeting 070823](https://sethcluett.com/works/phonography-meeting-070823/) - scott smallwood, sawako, seth cluett, ben owen and civyiu kkliu phonography meeting 070823edition: 300cd + insert booklet.3 color letterpress sleevedesigned and printed by ben owenrelease date: august 8 2011 mastered by scott smallwood tracklist:phonography meeting 070823 47:00 the recording is comprised of unprocessed field and or location recordings in 10 minute parts mixed consecutively person - [v-p v-f is v-n cs compilation series](https://sethcluett.com/works/v-p-v-f-is-v-n-cs-compilation-series/) - v-p v-f is v-n cs compilation series, cs02jason kahn, civyiu kkliu, richard garet, scott smallwood, alfredo costa monteiro, daniel blinkhorn, stefan thut, ben owen, toy.bizarre, gen ken montgomery, robert curgenven, manfred werder / incidental music, pierre gerard, giuseppe ielasi, ferran fages, tarab, sawako, tmm mulligan, gil sansón, lawrence english, gilles aubry, takefumi naoshima, asher, ben - [apple box double (performance with pauline oliveros), the san francisco tape music center](https://sethcluett.com/works/wow-and-flutter/) - [the hidden autonomy of water, in surface tension: problematics of site](https://sethcluett.com/works/the-hidden-autonomy-of-water/) - [my own thousand shatterings](https://sethcluett.com/works/my-own-thousand-shatterings/) - reviews: "When I popped in Seth Cluett's latest CD 'My Own Thousand Shatterings' and sank deep inside his immersive drone pieces, that is the first two on this CD, I thought I was merely listening to the hum of some synthesizer with some slow changes throughout. The third piece sounded like a field recordings of rain. After thinking 'wow, that - [ea - variations](https://sethcluett.com/works/ea-variations/) - [various - cdr series #3 sampler](https://sethcluett.com/works/boxmedia-sampler/) - [semblance](https://sethcluett.com/works/semblance/) - media: single-channel video, asynchronous single-channel audioduration: 15’03”dimensions: variableyear: 2014 presented as part of the solo exhibition 'The Persistence of Traces' at Audio Visual Arts in New York City. A video taken at the edge of the forest behind my childhood home, a single unmoving shot taken up through the tree above the free-standing woodstove that - [breaking ecomimesis](https://sethcluett.com/works/breaking-ecomimesis/) - media: milled mdf, 3D PLA print, 35mm slide, 8-channel audio duration: infinite dimensions: 4″ x 26″ x 4″ (10cm x 66cm x 10cm) year: 2016 presented as part of the group exhibition ‘Space Between the Skies‘ at Apexart in New York City. 650 - [forgetting through effacement](https://sethcluett.com/works/forgetting-through-effacement/) - video installation with sound - [100 circles to unfold](https://sethcluett.com/works/100-circles-to-unfold/) - 2011 cassette, magnetic tape, charcoal, paper 4" x 60" objects of memory, swarm gallery, oakland, ca objects of memory, aip gallery, berlin, germany - [a spatial asyndeton](https://sethcluett.com/works/a-spatial-asyndeton/) - 2009 bailers twine, mirror, sound dimensions variable architectones, saline royale d’arc-et-senans, arc-et-senans, france description: a spatial asyndeton is a site-specific installation that was commissioned for the Architectones festival at the Saline Royale d’Arc et Senans in southeastern France. It consists of a circular sculptural element comprised of large repeated loops of sisal fiber baler twine - [tracing moving circles (with BSC)](https://sethcluett.com/works/tracing-moving-circles-with-bsc/) - forces: bass, prepared guitar, soprano saxophone, cello, cassettes, voicescore: [contact] - [cloud-to-air (2008)](https://sethcluett.com/works/cloud-to-air-2008/) - [displacement](https://sethcluett.com/works/displacement/) - media: charcoal, graphite, pigment, ink, paper, single-channel audio dimensions: 5 x 5 inches; 12.7 x 12.7cm year: 2013 presented as part of the solo exhibition ‘The Persistence of Traces‘ at Audio Visual Arts in New York City. Hand-drawn pen and ink tracings of stones on a rubbed dry pigment, graphite, and charcoal field. The field - [the deformation of figures](https://sethcluett.com/works/the-deformation-of-figures/) - forces: performed by tim feeney (solo bass drum and electronics) score: forthcoming commissioned by the University of Alabama Department of Music for percussionist Tim Feeney. The work explores the embodied experience resulting from the interaction between the performer and the responsive feedback provided by the membrane of the drum head. Considering the bass drum as - [grounded (terre à terre)](https://sethcluett.com/works/grounded-terre-a-terre/) - performance work created in dialogue with Jean-Christoph Norman’s Terre à Terre at the Musée d’Art Contemporain du Val-de-Marne (MAC/VAL) outside Paris. July 2, 2017 - [100 circles for the mind](https://sethcluett.com/works/100-circles-for-the-mind/) - 2010 charcoal, magnetic tape, pins, paper, loop cassettedimensions variable …menu for murmur, chapman gallery, salford university, manchester, ukobjects of memory, aip gallery, berlin, germanyobjects of memory, swarm gallery, oakland, ca description: tracing moving circles (100 circles for the mind) (2010), is an instructional score for gallery preparation and exhibition that treats the relationship between action - [cloud-to-air (2003)](https://sethcluett.com/works/cloud-to-air-2003/) - 2003/2008 steel tray(s), water, video projection, sound, subwoofer, multi-channel audio dimensions variable solo exhibition, diapason gallery, new york, ny - [a box within boxes](https://sethcluett.com/works/a-box-within-boxes/) - 3-channel video, 3-channel audio, mirrors, plasma television displays, loudspeakers, boxes commissioned for resonant bodies, Fonds Regional d’Art Contemporain/Centre d’Arte Mobile/Erba, Besançon, France, December 2011-January 2012 “Eloquence begins by standing on coarse sand, facing the chaotic ocean and breaking pebbles in your teeth, and ends with the sublime. We should define sublimation as the passage from solid - [beating the bounds](https://sethcluett.com/works/beating-the-bounds/) - forces: two-channel acousmatic composition commissioned as part of the Wavefarm Artist-in-residence Program audio coming soon The tradition of beating the bounds originated in France, England, and Wales in the 16th Century. This practice involved the members of a village or parish walking the property bounds of their territory yearly as a way to teach younger - [capillary reciprocation](https://sethcluett.com/works/capillary-reciprocation/) - 2003maple cube, video, pipettes, lens, water, speaker, sound6" x 12"s/light, albany center galleries, albany, ny - [breaker](https://sethcluett.com/works/breaker/) - 200550 micron glass beads, watercolor paper, frame, vibration trasducer9" x 12"intersections: art/science/mathematics, gallery, state university of new york at potsdam, potsdam, ny - [rumour](https://sethcluett.com/works/rumour/) - 2007 maple cubes, oil paint, photographs, push-pins, speaker cones, speaker wire, sound 17" x 5" x 4" fresh picked, the arts center for the capital region, troy, ny - [karesansui](https://sethcluett.com/works/karesansui/) - 2007 antique pine boards, white wash, speaker cones, 1mil glass beads, sound, light 19" x 10" x 11" fresh picked, the arts center for the capital region, troy, ny reflective micron glass beads vibrate at alpha wave frequencies using sound to visualize centered thought - [neighborhood memory](https://sethcluett.com/works/neighborhood-memory/) - 2010 us geological survey map, magnetic tape, pins, loop cassette 30" x 40" non-cochlear sound, diapason gallery, brooklyn, ny description: In this work, each of three volunteers follows instructions asking them to circle a block in the neighborhood of the gallery thirty-three times. Using a three-minute endless loop cassette in a dictaphone cassette recorder, the - [recollection](https://sethcluett.com/works/recollection/) - media: single channel video, mono audio duration: 4’22” dimensions: variable year: 2015 commissioned for the group exhibition Senses of Place during the LOOP Barcelona Video Art Fair and Festival A single, unedited, wide-angle shot of the edge of a forest, this video contains monaural audio of the sound of a person walking from the left - [forms of forgetting](https://sethcluett.com/works/forms-of-forgetting/) - from the label press release: Forms of Forgetting is a studio construction investigating memory/forgetting and attention/inattention as catalysts for formal development in long-duration sound work. An extension of Seth Cluett’s gallery-based practice and created out of a sequence of materials developed for performance, the piece is the culmination of two years of in-situ live experimentation. ## Categories - [Uncategorized](https://sethcluett.com/category/uncategorized/) - [news](https://sethcluett.com/category/news/) - [projects](https://sethcluett.com/category/work/projects/) - [installation](https://sethcluett.com/category/work/projects/installation/) - [performance](https://sethcluett.com/category/work/performance/) - [mixed media](https://sethcluett.com/category/work/projects/mixed-media/) - [writings](https://sethcluett.com/category/writings/) - [discography](https://sethcluett.com/category/discography/) - [solo](https://sethcluett.com/category/discography/solo/) - [compilations](https://sethcluett.com/category/discography/compilations/) - [live](https://sethcluett.com/category/live-performance/) - [scored](https://sethcluett.com/category/work/performance/scored/) - [work](https://sethcluett.com/category/work/) ## Tags - 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